Category Archives: Social Media

Charlie Hebdo’s Dead Boy Cartoon Triggers Global Ire

Photo published for Charlie Hebdo Mocks The Death of Syrian Child Aylan Kurdi

Nilufer Demir/Reuters photo

By Casey Bukro

Charlie Hebdo, the French satire newspaper, published a cartoon of a drowned 3-year-old boy and showed why codes of ethics should warn against satirical cruelty.

Satire can be cruel, inspiring or infuriating. Maybe all at once. But are there limits to this form of freedom of expression?

Charlie Hebdo clearly touched a nerve by joking about the boy lying facedown in the surf of a Turkish beach, after drowning with his mother and a brother while attempting to flee war-torn Syria, becoming a stark symbol of Europe’s growing migrant crisis.

The cartoon was based on photos of the boy, first described as Aylan Kurdi and corrected later as Alan Kurdi.

“The haunting photograph of 3-year-old Aylan Kurdi, the Syrian boy whose lifeless body washed up on a Turkish beach last week, has been inescapable; even if you’ve just seen it once, it’s an image you can’t forget,” wrote Carolyn O’Hara, managing editor of The Week magazine.

O’Hara compared it with other grim photos of the past that forced the world to confront some tragic realities, such as the the 1972 photo of a naked Vietnamese girl screaming in agony from napalm burns, the 1993 image of a vulture stalking a starving Sudanese toddler and the hooded Abu Ghraib prisoner with outstretched arms.

It could be argued that these images served a greater purpose. Can the same be said about Charlie Hebdo?

Continue reading Charlie Hebdo’s Dead Boy Cartoon Triggers Global Ire

Bomb Threats Tilt GamerGate Event

SPJ AirPlay panel
SPJ AirPlay panel (SPJ Florida photo)

By Casey Bukro

GamerGate from its beginning a year ago seemed touched by lunacy, and that was borne out when bomb threats forced the abrupt closure of a video-game program in Miami.

The Society of Professional Journalists event AirPlay aimed to pin down the social-media campaign GamerGate – whether it’s about journalism ethics and accurate reporting about the video-game industry, attacks on women in the male-dominated industry, or resistance to political correctness and censorship. Or something else.

The conference goal was to “make a good gaming press better, or a bad gaming press good,” said Michael Koretzky, an SPJ regional director who organized and moderated. The conference “concocted some novel yet practical ideas for achieving that,” he said, such as an SPJ award for games journalism or recruiting games media critics.

A Twitter feed and hashtag and a YouTube channel suggest the event provoked lively discussion. SPJ secretary/treasurer Lynn Walsh said “if mainstream media jumps on this, it should be done well and ethically.”

Topics included plagiarism, fabrication, anonymity, fair reporting and the performance of Gamer writers. Koretzky asked about a “troll patrol,” how to vet or write about their social-media statements, and how to expose anonymous digital mischief-makers.

Then it all ground to a halt.

Miami police cleared the building after a series of bomb threats, UPI reported. Breitbart.com reported that the event got 10 bomb threats before police stopped the program and moved participants out of the building and into the streets.

Koretsky said two separate conferences in the building drew about 135 participants, of which about 60 attended the AirPlay event.

AirPlay was supposed to teach us something about GamerGate. AdviceLine asked Koretzky what the abbreviated conference taught him.

“I learned I was right about one thing,” Koretsky responded in an email. “Face-to-face opens minds. As for the bomb threat, it was awesome. It happened only 30 minutes before we ended, and it made @SPJAirPlay trend worldwide.”

Such threats are not new to GamerGate. Earlier this year a bomb threat cleared 300 people from a Washington, D.C., event aimed at GamerGate supporters. And Anita Sarkeesian, creator of a video series of pop-culture critiques, canceled an appearance at Utah State University last year because of the threat of a mass shooting.

AdviceLine asked Koretzky if continued threats of violence prove that some of those GamerGate folks really are nuts.

“I knew some GGers were nuts from the get-go,” he said. “But I learned just how many aren’t. I’d say it’s 50-50 &ndash which might offend both sides. But really, that’s a ringing GG endorsement, since so many folks told me the stat was 100 percent.”

And what else did he learn from the event?

“I’ve been talking to some gaming journalists post-AirPlay about why it wasn’t covered. Interestingly, the reporters are cool, editors are not. So once again, it’s age more than philosophy.”

As for his next move, Koretzky said he’s considering hosting a feminism-and-media debate.

Mark Samenfink, a lifelong gamer, wrote that he was frustrated by the way the Miami GamerGate event ended.

“This feels like a hollow victory,” Samenfink wrote. “But since at least half of the event took place (and was streamed live, worldwide), it’s not completely hollow. I was excited all day, my hype was real, I sat down to watch the debates and was overjoyed by them, but this … it just killed the mood.”

Did the gaming press cover the event?

“No,” said Koretzky, “just the bomb threats, and some not even that. It says more in defense of GG than anything else to date.”

 

Ethics of Using Internet Video of Police Conduct

WBEZ video
WBEZ reposted video it credited to YouTube user King-Dubb.

 

From the Ethics AdviceLine for Journalists archives

By Casey Bukro

Back in 2011, Chicago radio reporter Steve Edwards was covering gang violence and Chicago police for WBEZ when a video surfaced, showing youths menacing a suspect in the back seat of an open police squad car.

Was it ethical to use that video on a WBEZ broadcast?

That’s what Edwards wanted to know when he called the Ethics AdviceLine for Journalists. The video shows two Chicago police officers standing at the parked blue-and-white SUV with the doors open in Chicago’s violence-prone Humboldt Park area. A group of shouting young men, some possibly minors, taunt a suspect cowering in the back seat and trying to cover his face.

Someone tells the photographer, possibly a gang member, “get a close-up.” The photographer posted the video on YouTube and quickly took it down.

Edwards told AdviceLine that WBEZ had been investigating allegations that Chicago police had a history of subjecting gang members to harm by picking them up, then dropping them off in “enemy” gang territory.

The Chicago Police Department told Edwards that it got a complaint about the incident and released this statement:

“The conduct that is alleged does not reflect the behavior and core values of the men and women of the Chicago Police Department nor our commitment to serve the community in a professional manner.” The department said its internal investigations divisions began an investigation.

In 2013, the Chicago Police Department announced that it had dismissed the two police officers involved in the incident, saying the charges included “unlawfully restraining a youth, transporting him without a valid police purpose to the turf of a gang that would threaten him and making a false statement about the incident to an Internal Affairs detective.”
Continue reading Ethics of Using Internet Video of Police Conduct

Ethics of Purging Negative Stories From News Archives

From the Ethics AdviceLine for Journalists archives

By Casey Bukro

Back in 2005, the executive editor of a California chain of community newspapers called AdviceLine with a newly emerging problem: People wanted old stories about them removed from the web archives, or blocked from Google searches.

Would that be ethical, the news executive asked?

It was a small problem then, in its infancy. Today, it’s a hot topic. A French court order holds that search engines must consider requests to remove dated links, including news stories.

In the U.S., search engines entertain appeals to remove links for issues from piracy to “revenge porn” to copyright violations. Editors continue to field requests to “unpublish” stories. “Stay on the phone until you solve the issue,” one company advises aggrieved news subjects.

“There are a number of companies out there in the business of helping people scour themselves out of online archive data,” said the digital news editor of the California media organization from which the AdviceLine question originated 10 years ago. The executive editor who posed the question retired, and a lot more has changed in the news world.

Because the deletion issue is so controversial now, the digital news editor preferred that his identity remain confidential, along with the identity of his news organization.

“It’s been an issue for years,” said the digital news editor, “since Google started indexing news content and since people began to realize that as part of a standard for employers, many look at what you do on social media and what you do on the web.”

Here’s the organization’s policy today:  “What we’ve posted online is part of our record online for publication. Our general rule is we do not remove that. If there is an error in fact, we will correct it. Or if it needs an update, we will update.”

The editor pointed out that policies change, and that could change in the future.

For that California executive editor, here’s how it started 10 years ago. One person, now divorced, wanted mention of the marriage removed from the website. A person convicted of a felony five years ago wanted the story removed, and was threatening to sue. A beauty shop owner wanted the name of a beautician removed from a story about the beauty shop because the beautician doesn’t work there anymore.

The editor asked: Is there anything unethical in keeping electronic archives? Is there any ethical requirement to honor requests for deletion? If it’s expensive to do so, would it still be ethically required? Is there an ethical requirement that a newspaper contact Google about selective removal of items from their search engines?

The AdviceLine ethics consultant at the time, David Ozar, professor of Social and Professional Ethics at Loyola University Chicago,  said, “this is an issue of benefit/harm and the first issue is what benefit the archives offer the community. The answer is the benefit of an historical record.”

The ethicist and the editor discussed whether there is any significant ethical difference between a paper archive and an electronic archive. They decided an electronic archive is more useful to the community because it is more easily accessed and searched. Therefore, the electronic archive is of greater benefit to the community than a paper archive.

Both archives, however, might contain old information that some individuals might prefer was not easily accessible.

Ozar decided after that discussion that there was no ethical difference between written or digital archives.

The newspaper should not help people remove information from the historical record, the ethicist decided. The paper may choose to see if Google will assist those people, but the paper has no obligation to bear great expense to help these people block access to information about them.

“All of this assumes, of course, that the paper has taken the usual care in publishing only news that is supported by the evidence and has taken care also to correct any errors in its publishing,” said the AdviceLine ethicist.

Although today’s digital news editor at the California publication was not aware of that long-ago exchange, he is following that advice given by the AdviceLine ethicist.

Florida Student Blows Whistle on Boca Raton Plagiarist

By Casey Bukro

Journalism student Emily Bloch thought she saw something familiar while reading a story in the Boca Raton Tribune. It looked like something she had written, exactly the way she had written it.

Turned out it was a case of plagiarism, for which the Tribune writer was fired. He had copied material Bloch had written for the Florida Atlantic University student newspaper, the University Press, about an alleged campus rape.

Students sometimes are accused of copying material written by professional journalists, but in this case the professional journalist copied material written by a student. The case was reported by New Times Broward-Palm Beach.

Plagiarism often is a career-killing offense in journalism, although not always.

A Columbia Journalism Review report found that punishment for plagiarism falls in an grey area “ranging from severe to virtually nothing even for major offenses.”

It’s an editor’s decision, one that takes a writer’s talents and past performance into consideration. In other words, how badly does an editor need that writer or how easily could that writer be replaced? And, it is no secret that editors sometimes have favorites, known among staffers as “friends of the editor’s” or FOEs.

Editors might look for a pattern of plagiarism before taking disciplinary steps.

In these days of the Internet, much is made of the ease with which text can be stolen or copied and pasted. Cut-and-paste is a dangerous practice. The only good case for it is for citing a direct quote accurately. It is commonly used in the drafting stage, but a writer might forget to recast the material.

Equally easy is finding online plagiarism checkers, or reports that list the latest examples of plagiarism, or plagiarism “hit lists” of famous journalists gone wrong. Where are they now? For the most part, out of journalism.

At The New York Times a reporter, Jayson Blair, lost his job for plagiarism, and another, Maureen Dowd, didn’t.

They were named in a Plagiarism Today report by Jonathan Bailey called “5 Famous Plagiarists: Where Are They Now?”

The so-called “celebrity plagiarists,” for the most part, “seemed to land on their feet,” according to Bailey.

In its report on top 10 cases of plagiarism and attribution, Media Ethics in 2012 named Jonah Lehrer, formerly of The New Yorker, as its No. 1 plagiarist for plagiarizing himself.

“We’re putting him on our top plagiarist list since being busted for self-plagiarism led to his downfall,” said writer Sydney Smith. How do you plagiarize yourself, you might ask?

Lehrer’s blogs duplicated content he previously published for other outlets. He also made up quotes attributed to Bob Dylan.

The Poynter Institute also published a roundup of plagiarism and fabrication cases, by Mallary Jean Tenore, showing “the range of actions news organizations have taken and some of the factors they’ve considered when making these decisions.”

Plagiarism is a slippery slope. One might argue that plagiarism could be committed by accident. But the profiles of serial plagiarists show that it’s usually not a one-time mistake. It’s a choice.

In most cases, it becomes a pattern or a bad habit, perhaps because it seems so easy. And because some get away with it for some time, they might think they can get away with it indefinitely.

It’s an illusion. One of the benefits of the Internet are the millions of eyes on our words, including print editions. Many people are voracious readers of news reports, foreign and domestic. They recognize when identical paragraphs appear in two or more publications, and don’t hesitate telling editors.

A reader once notified the Chicago Tribune that one of its stories bore an uncanny resemblance to a story in the Jerusalem Post. An investigation proved that he was right. A Tribune reporter had taken text from the Post, a publication half a world away from Chicago.

Astute readers are unpaid “copy cops,” and anyone who works for a publication knows what I mean. They are really good at catching errors, among other things, and enjoy playing “gotcha.”

I think it’s fair to say the industry standard is zero tolerance for plagiarism. Penalties can be harsh even for a single infraction.

The Society of Professional Journalists code of ethics flatly says: “Never plagiarize. Always attribute.”

I suppose I fall into the zero tolerance camp for plagiarism, because zero means zero. Otherwise, journalists can argue over how much is allowed and how much is not.

My intolerance dates from my earliest days of writing the 1973 version of the SPJ code of ethics. Some ethics committee members argued for a little of this, and a little of that. It was hard to define how much is a little, or too much.

So I decided that it’s best to draw a bright line. No means no, and there is no quibble room to haggle over.

Journalists are terrible hagglers and nit-pickers. The result is a long, drawn-out process that sometimes does not reach a conclusion or a consensus. Get a room full of journalists and they will argue over all the possibilities and change the punctuation. There is a point at which that is not productive. Best to draw bright lines.

Plagiarism is theft. It can’t be allowed.

 

A Philosopher’s Thoughts on Charlie Hebdo

 

  • Cartoonists pay Tribute to Charlie Hebdo attack victims - 25 Cartoons

By David Ozar

I am a philosopher and ethics professor.

Some of what has been said about the murder of staff at Charlie Hebdo has seemed to me to make very good sense; but some of it has been muddled by treating together a number of ideas that are very different from each other. There are at least three sets of ethical or social-ethical issues that these events put on the table for careful reflection.

I began writing about these issues because I was pretty sure that drawing a clear conclusion about one of these issues does not lead us to clear conclusions about the others.  I offer my reasons for this point of view here in the hope that they will help others think carefully about these issues and, if I am correct, avoid muddling them together.

One set of ethical issues raised by the events at Charlie Hebdo focuses on whether killing people to prevent them from speaking their views is ever morally/ethically justifiable. Very few people in the world believe it is.

No philosophical and theoretical position, Islamic or otherwise, that affirms every human being has a value that does not depend on what the person believes or how he or she acts would ever support such killings as morally/ethically justifiable.

Clearly, committed terrorists of any religious stripe or of no religion view humans differently.  But I am assuming the fact that there are people who hold other views about human beings is not counter-evidence enough for the rest of us to withhold judgment about the value of a human being, or a reason to view terrorists as anything but profoundly mistaken and dangerous enough to the rest of us that ethically extraordinary measures may be necessary to prevent them from acting on their views.

But as I said, I don’t think being clear about this set of issues provides clarity to the other two.

A second set of issues concerns what is or is not required of Muslims who seek to act faithfully in accord with the Koran.  The fact that the jihadists we are dealing with say they read the Koran as justifying acts of terrorism — and let us assume this is genuine and not strategic posturing for the sake of grabbing power or whatever, though their being genuine in this is also something that would need evidence for us to be sure — tells us nothing at all about other strands of Islam and nothing dependable about the Koran and surely provides no evidence about Islam in general or Muslims as a group.

I have no detailed knowledge about Islam and its many varieties and all the Muslims I have known personally have been good people whom I would be happy to call my friends. My guess is that there are as many strands of Koranic interpretation as there are regarding interpretation of the Judaic and Christian Scriptures; and the news about the Paris massacre has evidenced many devout Muslims who condemn terrorist acts of all sorts as being clear violations of Koranic teaching.

In fact, while these terrorists and ISIS do use the word “jihad” to describe their efforts, this probably tells us nothing specific enough to draw conclusions about jihad itself as this idea occurs in the Koran or is understood by Muslims generally.

For I do not know – and we would need to listen carefully to Koranic scholars to draw any conclusions – whether the notion of jihad in the Koran or in various Muslim traditions of interpreting it always requires terrorism. Religion-based wars have been fought — by partisans of many different religions — without resorting to terrorism. That is, in accord with the rules of ethical war (articulated for example, but not exclusively, in the West’s understanding of “Just War Theory”). There could just as easily be Islamic traditions that interpret jihad this way rather than seeing it as requiring terrorism.

And ethical/moral questions about what justifies acts of mortal violence under any circumstances, much less circumstances having any relevance to the present situation of various peoples in the Middle East, is a huge set of questions I am not even attempting to say anything about here.

Anyone wishing to understand the ethical issues involved in justifying war’s violence will find a good, careful discussion in Michael Walzer’s book, Just and Unjust Wars. A good example of a discussion of the ethical issues involved specifically in addressing the threat of organized terrorism that our country learned it must deal with in the events of 9/11 is Jean Bethke Elshtain’s book, Just War Against Terror.

The third set of ethical issues raised by the events at Charlie Hebdo concerns journalists and their various appropriate professional roles.  In an essay entitled, “An Explanation and Method for the Ethics of Journalism,” which I co-authored with another philosopher/ethicist, Professor Deni Elliott, I proposed an answer to the question “What Values Do Journalists Bring About For Those They Serve (i.e. in their designated social role in our society)?”

The book is: Journalism Ethics: A Philosophical Approach edited by Christopher Meyers, pp.9-24. This is a central question to reflect on when asking about the professional ethics of any profession.

I argued there that Needed [by the public] Information comes first and Valued [by the public] Information comes second.

Clearly the creation and publication of humor, and more narrowly of satirical humor, is not part of the role of journalists to provide the public with needed information or even information which the public does not need but values having for one reason or another.

I argued that the other kinds of good that journalists can do may well be ethically appropriate to their professional role, at least in Western societies, and I think that producing humor is one of these, either as entertainment or as something valued for other reasons, perhaps including thoughtful social criticism.

But I take it for granted that every profession’s ethics are the product of a dialogue between that group and the specific larger society in which it functions. So I think that, in today’s world where the products of journalists’ work go far and wide, it is a complex question to know whether societies where other things besides these two are not part of journalists’ social role are ethically justified in those societies.  This is a question I will not try to comment on here, but which would make a great topic for discussion by those who care about journalism’s professional ethics in today’s digital world.

With that as background, I can pose the key question about journalism’s professional ethics that is at stake here: Is satirical humor sufficiently socially-ethically justifiable within the social-ethical role of a professional journalist or professional journalist organization that such humor continues to be ethically justifiable when it is highly offensive to large numbers of otherwise reasonable, not-fanatic, peace-loving and neighbor-caring people?

This is a very complex ethical question.  What a person finds offensive is, for want of a better word, painful to them, it hurts.  And in general we think hurting others’ feelings ought to be avoided unless there is a good reason for it. In addition, it is rare that we judge hurting someone’s feelings, offending someone, for no other reason than to entertain other persons (besides the one who is hurt) to be something that is morally/ethically justifiable if the situation is one in which the hurt party has little realistic opportunity of avoiding the hurt.

The great American philosopher, Joel Feinberg, determined that his examination of rights should include a careful discussion of the extent to which offense can ever be morally/ethically justified and if there are circumstances in which it should be legally prohibited.

The work ended up taking him a whole, complex book to sort out. [The book is: Joel Feinberg, Offense To Others.]

So it seems to me that well-thought-out answers to the question I just asked are going to take time and effort to sort out, especially in an international digital world in which “news” of all sorts is flashed on screens, billboards, etc., at least in many parts of the world.  For that means that the ethical issue is not resolved by just saying, “Well, if you think it will be offensive (or even know it because they said it would be), just refuse to buy Charlie.”

That is not a realistic answer to the opportunity-to-avoid question in a world where the line between information, entertainment, and advertising has been blurred so thoroughly (although this blurring has not been solely the result of the changes in journalism in recent decades, but on the other hand journalist organizations have certainly played a part in the process).

So I think there is a lot here that is worth discussing, especially if we are willing to assume that short, quick answers are almost certainly going to be too simple once we get past the “do not kill” part of the matter.  That’s my ‘two cents” on this. Well, to be honest, it’s quite a few cents! But then I am a philosopher and I am unwilling to pretend complex ethical things are simple !

3 Ethical Pressure Points for Journalists on Twitter

Twitter shades of gray

Shades of gray: Rumor, intent and context in reporting on social media

By David Craig

This post is a condensed version of an article I wrote on the website Mediamorals.org.

For many journalists and news organizations, Twitter has shifted in a few years from being an oddity and add-on to a key tool for gathering and reporting news.

The thinking about ethics and best practices in journalistic use of Twitter has sharpened and evolved since the platform’s early days. But the ethical challenges persist, and the boundaries of best practices are difficult to nail down. Here, I will look at three continuing ethical pressure points for journalists using Twitter.

Handling unverified information

The continuous flow and immediate spread of information on social networks make this part of journalists’ work, which has always been challenging, more difficult. The consequences of incorrect information – whether about individuals, companies or governments – can be devastating and global. And with journalists occupying only a small space in the larger network of information flow, the pressure to pass on and amplify information prematurely becomes much greater.

My interactions with journalists, tracking of Twitter discussion, and reading suggest that journalists’ understanding of best practices with unverified information sits on a continuum from not tweeting until verified to acknowledging on Twitter while simultaneously checking. (For contrasting perspectives, see this AdviceLine post.)

The notion of reporting information in the process of being verified is in line with what City University of New York journalism professor and blogger Jeff Jarvis calls “process journalism,” which emphasizes being transparent about what one does and does not know, rather than waiting for a final finished product – which he argues is never perfect itself. I think the key challenge with this approach – and the lingering question for journalists – is how to be transparent in the midst of the larger network flow while maintaining truthfulness and minimizing harm.

What is the proper balance among these principles? Transparency alone doesn’t guarantee truthful information. Focus on minimizing harm alone can keep reports out of the public eye, even though members of the public might be able to help corroborate or dismiss them in an open network. Paying attention to the importance of the truth that is being reported alongside the extent of the harm that may result – a common balance in journalism ethics – helps in sorting out whether to transparently acknowledge unverified information on Twitter.

Beyond this, it’s important to use all available resources to verify content. As BBC News social media editor Chris Hamilton has told me, that means making the most of both technical tools such as Google Earth and reverse-image searches to check content shared through tweets and other means. But it also means using critical thinking to look for evidence of falsity and ask questions of human sources.

Navigating boundaries between personal and professional identities

The dual and overlapping uses of social media for personal and professional purposes create ambiguity about the identity of journalists using Twitter and other social platforms. One can signal intentions to some extent with a Twitter profile listing professional affiliations alongside some personal information, but not everyone will see the profile or the larger context of the kinds of things being tweeted.

I don’t think it’s necessary or helpful to agonize over whether journalists should offer routine tidbits about their personal lives in the same feeds they use for their journalism. As some journalists argue, doing that just shows they are human like their audiences. This may serve to increase rather than diminish their credibility. The bigger issue becomes how to handle opinion, especially opinion associated with what one is writing about.

Kelly Fincham, a professor at Hofstra University on Long Island, New York, studied a number of major news organizations’ social media policies for a chapter in Ethics for Digital Journalists, a book I co-edited. She found that although there were “some small signs” that “opposition to transparency about viewpoints is weakening,” overall the guidelines still warn against stating opinions on social media.

In the guidelines she studied, Fincham found that there has been a substantial shift since early days, from the expectation of separate Twitter profiles for personal and professional activity to a consensus that journalists should have single accounts. But single accounts do leave open the possibility that different people coming from one’s personal or professional worlds will assume different things about the intent of the account holder.

There is no foolproof way to navigate the challenges that come from the ambiguity of professional versus personal on Twitter. In ethical terms it’s important to be transparent by signaling the scope of the social world represented by including both professional and personal elements in the profile, or only professional elements if the focus will really be limited to those.

Providing context and narrative structure

From my own use of Twitter, I have seen how difficult it is to include structure and context. The character length limit makes it challenging to provide context for the meaning and significance of individual words. Other challenges involve connecting multiple tweets in a coherent way, especially given that many people get thousands of tweets a day and move in and out of the platform. It’s almost guaranteed that some followers will miss some tweets. From an ethical standpoint, this means that the truth users take away from these messages is fragmented and often missing some of the intended pieces.

Journalists have had several years of Twitter use to gain experience looking for ways to provide context and a coherent narrative. Jonathan Hewett, in another chapter in Ethics for Digital Journalists, notes the simple approach of numbering each segment of a series of related comments, in ways such as “1/3,” “2/3,” etc. (if the number is known). Parallel wording can also help, as he noted in an example of multiple tweets introduced by “Survivor of boat sinking:” or, in subsequent tweets, simply “Survivor.” He said BBC journalist Dominic Casciani has been trying “signposting” of tweets – “alerting users at the start of the day to what he’ll be covering later, for example, or providing a reminder of key points to add context and/or to help those who have not been following the story.”

Twitter hashtags also can help to provide context by keeping related tweets connected with one another.

On a larger scale, Storify has enabled journalists and others to combine tweets and other social posts in a single document and, if desired, add explanatory sentences of introduction and connection. But the tweets can end up in different contexts than the originals did by being selected for inclusion when related tweets were not.

All of these approaches using Twitter and related tools provide means to meet the ethical goal of truth telling to the greatest extent possible within the format.

 

GamerGate Ethics: It’s Not About Scoring Points

Grand Theft Auto 5
Off-the-rails video mayhem in Grand Theft Auto 5 (Rockstar Games)

What’s the point of video game debate? Consumer reviews pose valid ethical issues, but not this one.

By Stephen Rynkiewicz

Critics are prepared to justify their opinions, but shouldn’t be forced to defend their livelihoods, much less their lives. Yet that’s the challenge now facing video game reviewers, and it’s a struggle that tests the maturity of their industry.

Threats against cultural critic Anita Sarkeesian brought the issue mainstream attention. An anonymous email warned Utah State University administrators of a shooting massacre at her speech on women in video games. She canceled the appearance.

It’s hard not to identify with that dilemma. But when I circulated the New York Times report on Sarkeesian’s cancelation, the Twitter response was harsh. “Oh boo hoo,” one wrote, “those terrible, count them, ZERO, attacks on hated busybody con artists.” That suggests the level of the “GamerGate” debate.

No regrets from this editor if the mayhem stays at zero. I’m trained to keep writers safe. Mostly reporters want an editor to check their facts and their logic; reviewers need a sounding board. We may even disapprove of what our critics say. Yet editors defend their right to say it. Must we defend to the death?

Continue reading GamerGate Ethics: It’s Not About Scoring Points

Three Ethics Takeaways From ONA Conference

Alberto Cairo
Alberto Cairo of the University of Miami says ethics have not kept pace with data visualization techniques. (Stephen Rynkiewicz photo)

By David Craig

The Online News Association annual conference, which I attended September 24-27 in Chicago, always provides great updates on trends and issues in digital journalism. But it’s also a great place to hear about ethical challenges, both new and continuing.

Ethical issues were the focus of three sessions, including a challenge session in which audience members had to react quickly to ethical scenarios on topics such as use of user-generated content. But ethics also came up in sessions that were primarily about other topics.

Here are three ethics takeaways from the conference:

1. Content that disappears will create new ethical challenges. Amy Webb, founder of Webbmedia Group, delivered her annual talk on “10 Tech Trends for Journalists.” One of them was “ephemeral content,” an increasingly popular kind of social media communication.

Webb said Snapchat, an app developed to share photos that’s popular with young people, provided a way to send private content that users might not want to stay around, but “it’s also a way to clear up our cluttered social streams.” She said other companies are providing messaging services with content that disappears, appears anonymously or is even encrypted. She predicted that most messaging apps will have some kind of means of making content ephemeral in the next 24 months.

Ephemeral content is relevant to journalism because some news organizations including The Washington Post are experimenting with it. But Webb pointed to an ethical difficulty: “Ephemeral content can be used for publishing news. But it can’t be corrected, because no record is left.”

This kind of communication raises questions of accountability for the accuracy of content because once it’s gone, there’s no way to amend a false message or even verify what the message said.

“Talk internally about the implications,” Webb suggested to news organizations.

Even for journalists who don’t use this kind of content, the discussion points to ongoing questions about what it means to ethically handle incorrect content in social media messages.

2. Algorithms shape the truth that people learn about the world and point to new ethical obligations for journalists. Kelly McBride, vice president for academic programs at the Poynter Institute for Media Studies, and Nick Diakopoulos, a journalism professor at the University of Maryland and an expert in computational journalism, presented a session titled “Algorithms are the New Gatekeepers.”

McBride said algorithms, because they shape how news is distributed and to whom, have a powerful influence on what gets attention in the marketplace of ideas. As one of the presentation slides showed, they also affect a huge number of other areas of life including search rankings, online recommendations, advertising and relationships.

Diakopoulos talked about the power of algorithms in influencing the information we receive because of their ability to prioritize, classify, associate and filter it. He argued that the power they carry suggests new responsibilities – and opportunities – for journalists in reporting because they can help hold algorithms accountable. Stories might address issues including discrimination, mistakes that deny service, censorship, illegal activity or false predictions.

This kind of reporting isn’t easy. He pointed to several possible approaches to “auditing” algorithms – reviews of computer code, surveys of users about their experience, analysis of input and output, having users report data and (with ethical problems he acknowledged) impersonating users with programs.

Despite the difficulties, the social and economic impact of algorithms make it important for journalists to try new ways of reporting.

3. The power and availability of data visualization tools call for increasing attention to the ethics of visualization messages. Alberto Cairo, a professor at the University of Miami who teaches on informational graphics and data visualization, gave a session called “The Journalist, the Artist and the Engineer: The Ethics of Data Visualization.”

Cairo argued that the core goal of journalism ethics is to improve the public’s understanding of issues “relevant for their conducting good lives” while minimizing any potential harm. He said tools to create interactive charts, maps and other informational graphics are becoming more popular and widely available but that ethics is not keeping pace. He said that helping the public understand what good, ethical visualizations look like can help to better society and avoid the impact of misleading messages.

Even though great data visualizations are beautiful as well as functional, Cairo said, they must hold to a high standard of truthfulness that doesn’t oversimplify or distort the information being represented. Using the example of a graphic from the National Cable Television Association, he talked about going from showing things that are true but may leave out important information to showing a picture that’s more complicated but also truer and more accurate.

Cairo urged the audience not to hide complexity from the public or point to patterns that really aren’t there. In doing so, he is rightly pointing to a standard of care in visualization that is as high as the standards used in good investigative writing.

New SPJ Code

 

By Casey Bukro

Some might argue that it takes a certain amount of hutzpah to adopt a set of principles intended to curb the worst  behavior of journalists, sometimes seen by the public as an unruly bunch of ruffians.

But that’s what the Society of Professional Journalists did at its annual convention in Nashville. Actually, it was an updated, boiled down, tweaked, massaged version of a code SPJ adopted in 1996.

The framers of the new version started the revision process by arguing that the 1996 version failed to take into account all the technological innovation that has transformed journalism. Others argued that the ethical foundations of journalism don’t change, regardless of technological changes.

A reading of the updated code suggests that the foundationalists won, since the new code does not mention technology.  It’s a smoother read in places, but most of the original principles are still there, with some added emphasis on transparency and accuracy.

The code does not “sing,” as some journalists had wished, hoping that journalists who pride themselves as wordsmiths might have produced a more inspiring document. It tends to plod from one “do” and “don’t” to another.

But it is the nature of journalists to quibble about how things are worded.

The Society of Professional Journalists introduced its first original code of ethics in 1973,  causing a wave of consternation and congratulation among journalists.  Some thought a code of conduct was contrary to First Amendment protection of Freedom of the Press.

The reaction to the 2014 version was more subdued.

Kevin Smith, outgoing SPJ ethics chair, said one of the goals of the revision was to address “the growing problems with transparency, including news outlets failing to disclose clear conflicts of interest.”

Al Tompkins of the Poynter Institute pointed out that, at the same joint convention, the Radio Television Digital News Association disclosed its own proposed code of ethics.

“The SPJ and RTDNA codes are similar,” said Tompkins, “both focusing on accuracy, accountability and independence.” He also pointed out that the SPJ code took aim at using anonymous sources in stories.

Public Relations practitioners also would benefit from taking note of the SPJ code because it addresses two key issues: Anonymous sources and a prohibition against paying for access to news.

“So if you’re ever talking to a journalist to give information,” writes Ellis Friedman, “think twice about requesting anonymity….”

Most people might think that adopting a code of ethics is not especially controversial, but they should think again. Such efforts always trigger powerful emotions for one reason or another. Journalists can be fractious.

Among those is Michael Koretzky, an SPJ regional director, who complained that the society was unethical in the manner in which the code was rewritten, charging that it was done in secrecy. SPJ leaders were not pleased with his remarks.

And he complained that the new code was adopted by an antiquated method through representatives attending a national convention.

“The code may have needed a tech update,” Koretzky wrote, but “SPJ leaders clung to a century-old system that featured less than 125 insiders making the decision for all its 7,500 members.” Voting should have been done electronically, he argued, giving all members of the society a chance to vote on the updated code.

Koretzky promises that’s not the last word on SPJ’s code of ethics.

“But from bad things, sometimes good things come,” he wrote. “Already, work is underway on an alternate SPJ code of ethics.”