Avoiding Twitter snafus: Sydney Smith says tweets caused media and staffers problems in 2017.
Among them: Old tweets, hoax or parody Twitter accounts, false tweets, tweets that cost jobs, flippant tweets and racist or anti-Semitic tweets.
Avoiding Twitter snafus: Sydney Smith says tweets caused media and staffers problems in 2017.
Among them: Old tweets, hoax or parody Twitter accounts, false tweets, tweets that cost jobs, flippant tweets and racist or anti-Semitic tweets.
On the whole, the world is getting better, writes Bill Gates, Time Magazine’s first-ever guest editor.
“To some extent, it is good that bad news gets attention,” he writes. “If you want to improve the world, you need something to be mad about. But it has to be balanced by upsides. When you see good things happening, you can channel your energy into driving even more progress.”
Bad news arrives as drama while good news is incremental — and not usually deemed newsworthy, he writes.
Apologies to the seven-foot-tall hairy alien biped community: Sydney Smith lists the top ten media corrections of 2017, including a correction of a correction.
Assessing Michael Wolff’s brand of access journalism: Nausicaa Renner and Pete Vernon say Wolff could not have written his book “without the hard work of journalists over the past year; the fire he catalogs was often fueled by stories from mainstream reporters.”
Wolff bluffed his way into the good graces of the Trump administration and produced “a thoroughly readable portrait of the Trump administration’s chaos and lack of preparedness.”
What to do when the subject of a sex investigation dies by suicide: There’s no playbook for journalists about how to handle situations like that, writes Meg Dalton, about a Kentucky Center for Investigative Reporting and Louisville Public Media podcast revealing the troubled past of a prominent political and religious figure.
The case “is an exemplar not only of dogged local reporting, but also a how-to for newsrooms grappling with unexpected ramifications,” writes Dalton, such as the death of a subject.
Norwegian Broadcasting Corp. finds a way to weed out toxic commentary: Take a quiz.
Many large media organizations eliminated their comment sections because of abusive commentary, writes Steve Friess. The Guardian, for example, last year closed comments under articles on race, immigration and Islam because they attract “unacceptable levels of toxic commentary.”
A short quiz on the contents of a story, the Norwegian brainstorm, unlocks access to the comments section.
“We wanted to create a bump in the road to make people think a bit before ranting away,” a source tells Friess.
Rumors, misinformation and fake news: Craig Silverman says he helped popularize the term “fake news” and now regrets it.
Silverman and colleagues published an analysis of 50 of the biggest fake news hits on Facebook in 2017.
“This highlights the challenge faced by Facebook to find ways to halt or arrest the spread of completely false stories on its platform, and raises questions about how much progress has been made in fighting this type of misinformation.”
Facebook “remains the home of massively viral hoaxes,” says Silverman.
Reading a story with unnamed sources: Bethania Palma quotes experts who say that journalists risk losing audience trust by frequent or unnecessary use of unnamed sources.
“The public, like the reporters and editors putting a story together, should question whether the story is important enough to grant public-facing anonymity to the sources making the claims.”
Smart people tell Nieman Lab what the world of journalism will look like in 2018.
“If this year was about transparency of the journalistic process and how we do our job, next year it will be about transparency of values and why we do our job,” say Millie Tran and Stine Bauer Dahlberg.
A Poynter survey found nearly half of Americans believe the press invents negative stories about President Trump.
“Remedies to begin restoring audience trust include annotating stories and linking original documents and images to show how we know what we know…,” writes Indira Lakshmanan.