Tag Archives: Society of Professional Journalists

Plagiarism: A Renaissance for Attribution

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he Young St. John the Baptist
Piero di Cosimo, “Young St. John the Baptist” (Metropolitan Museum of Art)

When New York Times critic Carol Vogel previewed an artist’s retrospective, readers were quick to question her report.

By Stephen Rynkiewicz

Renaissance artists might have struggled with the idea of plagiarism. Florentine salons respected tradition and uniformity, and apprentices in Piero di Cosimo’s studio learned by imitating the master. National Gallery of Art curator Gretchen Hirschauer told New York Times critic Carol Vogel that Piero’s work entered American collections partly by accident. It was attributed to other artists.

But the concept of plagiarism has evolved. When Vogel previewed Hirschauer’s retrospective of Piero’s work, a few readers were quick to question her report. It started with a list of Piero’s peculiarities, citing contemporary Giorgio Vasari, who’s still studied in paperback. But the wording was close to an even more common source, Wikipedia. The print passage is shortened online, and ombudsman Margaret Sullivan suggests Times editors might take further steps if a pattern emerges.

The word plagiarism first appears during the Reformation. The Random House Dictionary defines it as “to use the words or ideas of another person as if they were your own words or ideas.” Universities have moved beyond the Renaissance academy, with rules against copying and paraphrasing. The Society of Professional Journalists ethics code simply says, “Never plagiarize.”

Yet the practice continues. Evidence of plagiarism in Sen. John Walsh’s Army War College research puts him under pressure to withdraw from the November election. Repeated instances on the website BuzzFeed got a producer fired last month. And delegates to SPJ’s 2014 convention will consider adding another ethics directive: “Always attribute.“

Continue reading Plagiarism: A Renaissance for Attribution →

Anon

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By Casey Bukro

 

Pssst! Hey buddy, over here. Got some really important news for you. Can’t tell you where I got it. But trust me.

That, in effect, is the con played often on the public by some of the nation’s leading newspapers, like the New York Times and the Washington Post. It’s called anonymity.

This con was neatly spelled out in a Reuters piece by Jack Shafer, who counted the number of times the Times offered corrections recently on stories based on anonymous sources, citing anonymous sources again to make the corrections.

That’s carrying the con a bit far.

Shafer traces the history of citing anonymous sources from a time when it was rare, to a time when it was rampant. It’s probably  fair to say that this journalistic disease is especially prevalent in Washington, involving government and political reporting.

Most reporters know that stories are only as good as the reliability of identified sources who are quoted.

“Anonymous sources reduce the pressure on official sources to take responsibility for their utterances,” writes Shafer. “And it promotes the gaming of news outlets, with anonymous sources gravitating to the most pliant reporters and editors.”

Weak or lazy scribes sometimes think they’re acting like “the big boys” by writing stories veiled in mystery, as though they know really important people who want to stay in the shadows. Sometimes these journalists know they are being used, but think that’s how the game is played. With more digging, they might find sources willing to be identified.

The Society of Professional Journalists code of ethics says “the public is entitled to as much information as possible on sources’ reliability.” There are times when anonymity is warranted, such as protecting someone’s life or welfare.

Scholars believe the Washington Post’s Watergate coverage was the “watershed moment for anonymous reporting,” touching off a wave of imitators who lusted for the fame of Bob Woodward and Carl Bernstein.

Getting cozy with news sources is another way to play the game, as Bob Garfield, host of NPR’s “On the Media” program pointed out in his scathing commentary on the White House Correspondents Dinner in a piece entitled “When the Watchdogs Wear Tuxedos, Politicians Rest Easy.”

All of this leads to a point made by Thomas Baekdal, who investigated the meaning of quality journalism. He found that although some of the leading newspaper managers say they are doing a great job, they are losing readers.

It’s just possible that readers are disenchanted with journalism that depends on anonymous sources and making nice with news sources, like the White House correspondents dinner.  It’s journalism with a wink and a nod.

Readers know what’s going on there, and they’re turned off. They know they’re entitled to a better journalism, and better journalists.

 

Handling Rumors on Social Media

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By David Craig

How should journalists deal with rumors on social media?

Answering this question in practice isn’t as simple as it might seem. A good discussion of the topic broke out Friday during the latest #EdShift Twitter chat on PBS MediaShift.

The biweekly chats draw in both journalists and journalism professors to talk about topics important to the future of journalism education. This one focused on ethical issues on social media. Excellent comments, including resources for good ethical practice, emerged on several topics. But the most intense debate centered on rumors.

Steve Fox, a journalism professor at the University of Massachusetts, took this view:

Fox said the approach used by Andy Carvin, formerly of NPR and well-known for his engagement with Twitter sources during Arab Spring, can’t be generalized to other reporting. But Carvin, who joined in the discussion, said that if journalists are just passing along unverified rumors, that’s the wrong way to work. He posted links to several tweets he wrote after the school shootings in Newtown, Connecticut, to show the approach he takes to verifying information:

With this approach, Carvin challenges assumptions and highlights the likelihood that early reports are wrong – whether they come from individuals or news media.

The research he’s been doing as a fellow at the Tow Center for Digital Journalism at Columbia University also provides a caution for journalists using law enforcement sources.

Where does all of this leave us on the question of how journalists should handle rumors on social media?

I share Fox’s caution on any communication by journalists about rumors. In ethical terms, minimizing harm – a mainstay of ethics including the Society of Professional Journalists code – calls for great care because of the potential of false information to do damage.

But in the social media sphere, where the public is immediately awash in good and bad information, journalists often best meet another duty – seeking truth – by aggressively questioning rumors openly in real time. (For another case study on this, see a 2011 blog post by Daniel Victor, now a social media editor at The New York Times, about two journalists on Twitter in the middle of a shooting scare in Philadelphia.)

In another tweet,  Carvin said that if a rumor spreads on social media, journalists’ duty is  “to acknowledge it, pick it apart, prove/debunk it.”

Well-said. That means being ethical on social media involves not just asking hard questions but asking them in the open.

 

 

 

Jayson Blair

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By Casey Bukro

Jayson Blair lied, plagiarized and fabricated stories, shaming the New York Times where he worked.

Why would he do that, knowing that the eyes of the world were focused on one of the world’s great newspapers?

Leonard Pitts Jr., a columnist for the Miami Herald, seemly comes as close as anyone to an answer in a recent column — Blair simply believed he’d never get caught.

It’s a myth, says Blair, that fear of being caught keeps people from doing unethical things. After getting away with it, “once you cross that barrier where you know the chances are you won’t be caught, it becomes very hard to discipline yourself,” Pitts quotes Blair.

It’s a fantasy. And that could be part of the answer.

Anyone in journalism who believes nobody really pays attention to accuracy and fairness is delusional.  The American Journalism Review, in writing about Blair, pointed to other journalists who met their downfalls through dishonesty. It’s usually a matter of time before the distortions that lying create are noticed.

Blair did leave a legacy of sorts.  Some journalists contend media are more concerned about fact-checking now. Maybe.

Recently, films and television broadcasts focused on Blair.

“A Fragile Trust: Plagiarism, Power and Jayson Blair at the New York Times” is a 75-minute documentary.

Blair had a record of poor work habits at the New York Times, which should have raised red  flags before it was too late to prevent what has been described as “one of the most notorious scandals in the history of American journalism.” Some heads rolled.

Now out of journalism,  Blair is described as a “life coach.”

This season of Blair mania comes while several journalism organizations are writing or rewriting codes of ethics, such as the Society of Professional Journalists. Such documents usually list activities that journalists should or should not do.

But rarely do they mention consequences for people like Jayson Blair, who believe there are no consequences for lying, cheating and stealing. They just cross the barrier and set the stage for another scandal.

 

 

Ethics Codes

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By Casey Bukro

Codes of ethics sound like such noble things.

They can be inspirational and aspirational, statements of our highest moral and professional conduct.

Like any description of what is good, the devil is in the details.  And where journalists are involved, the effort can bring out the devil in them. Some seem to handle it better than others.

For instance, three journalism groups are considering revising or creating codes of ethics: The Society of Professional Journalists, the Radio Television Digital News Association and the Online News Association.

The SPJ effort stands out because of the degree of conflict that erupted over charges by one of SPJ’s regional directors, Michael Koretzky, that the organization’s national ethics committee has conducted the code revision process largely in secrecy. Koretzky is a member of SPJ’s national board.

“It’s been difficult to get answers,” Koretzky said in an e-mail to SPJ leaders. Koretzky  launched his attack against the national ethics committee by e-mailing his “journoterrorist” blog illustrated with 11 panels that graphically compares SPJ’s code revision efforts with ONA’s.

Kevin Smith, SPJ’s national ethics committee chair,  denied “this conspiracy theory of secrecy in revising the code,” adding “we have nothing to hide.”

Koretzky replied that he never said anything about a conspiracy, but “the fact remains that no one has explained to the SPJ board (or anyone else) how the first draft of the code revision was compiled” and who was involved.

David Cuillier, SPJ’s president, added this to the chain of e-mails: “You’re absolutely right, Michael, that we have not communicated the process, or engaged members and non-members, as effectively as ONA.” No conspiracy or secrecy, he added, “but the ultimate outcome is a much more low-key effort on our part. All true.”

SPJ adopted its present code in 1996.

The American Journalism Review described the struggles over SPJ’s proposed code revision.

The Online News Association is working on a novel approach, which it calls “Build Your Own Ethics Code,” a crowdsourced ethics code.

ONA describes it as a toolkit “to help news outlets, bloggers and journalists decide on ethical guidelines that match their own ideas about reporting and journalism.”

The ethics guide would be a constantly updated online document. Reporters will be encouraged to publish the ethics codes they create, and to hold themselves and their news outlets accountable to them, said ONA. In other words, it would be largely voluntary.

RTDNA’s ethics code was last updated in 2000, “and I don’t need to tell you how greatly our technology and our newsrooms have changed in 14 years!” said Mike Cavender, RTDNA”s executive director.

One of the central questions in revising or creating codes of ethics is whether they should reflect changing technology, or state undying principles that apply regardless of technological changes.

RTDNA asked its members to complete a survey. “The goal is to insure that a new code fits our business as it stands today, without straying from the principles that define outstanding journalism.”

All three code-writing efforts are in the round one stage, with more rounds to follow. SPJ’s national ethics committee is expected to report its findings at the organization’s annual convention in September.

All three are worth watching to see if they end in a win, or in a knockout.

 

 

 

 

 

 

 

Rules of the Code

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By Casey Bukro

The Society of Professional Journalists is thinking about amending or replacing its code of ethics, the current version of which was adopted in 1996.

One before that was adopted in 1973 and amended a couple of times with some word changes.

Some documents stand the test of time, others do not. SPJ is trying to decide in which category its present code belongs.

The society is surveying its members, asking what they think: Keep the code, replace it or change it?

Some members argue that in the 17 years since the code was adopted, journalism in the United States has changed a lot, including the technology journalists use, such as cell phones and social media.

Others say ethical standards, like honesty, fairness and accuracy are not governed by changes in technology. They are constants even in changing times.

We’ll see how that plays out.

Meanwhile, the Joplin Globe points out in a piece on “guiding words” that Walter Williams, the first dean of the Missouri School of Journalism, wrote what now is known as the “Journalist’s Creed” in 1914.

The Globe printed the “Journalist’s Creed” in full “to remind our readers and ourselves why these ethics are as timely today as they were almost 100 years ago.” And just as important.

The words are a bit flowery, reflecting a writing style that was fitting 100 years ago. The creed makes no mention of horses, buggies, pens or ink.

It begins, “I believe in the profession of journalism.” Such implacable resolve in the importance of journalism in a Democracy is as vital today as it was 100 years ago.

Copy Cat Journalists

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By Casey Bukro

Here’s an interesting idea:

Journalists should stop mimicking what’s happening on the internet.

Poynter said the idea sprang from the ninth annual Kent State Ethics Workshop in September, which focused on the world of entertainment and how journalists cover it.

You get a pretty good idea that it can be an ethics imbroglio just by some of the topics: Privacy vs. adoration, stalking and paparazzi.

A workshop organizer, Jan Leach of Kent State’s School of Journalism, said they picked entertainment ethics “because there’s so much entertainment and celebrity journalism available in all media…..”

The news, she adds, “is often part truth and part rumor, ” but consumers might not be able to tell the difference. “There’s so much spin from publicity departments.”

And, it might be fair to say, journalists fall for it or go along with it.

It’s easy to cover and does not take much imagination. But how much wall-to-wall coverage does the public need about Lindsay Lohan and Miley Cyrus?

Even while reporting the latest escapades of such human train-wrecks, TV announcers can be heard to say: “Why are we doing this again?” They admit to giving more publicity to people acting odd, because they want the publicity.

The Society of Professional Journalists code of ethics encourages journalists to act independently and “avoid pandering to lurid curiosity.”

Though it’s called entertainment, there doesn’t seem to be much entertaining about it. It’s more like voyeurism.

Here’s an idea for what could be an entertaining story: The funny behavior of men and women in business, commerce and industry.

When’s the last time you saw a funny story about business? It’s all so serious, and people who cover it take it so seriously. There must be some humor in it somewhere, even though economics is called the dismal science.

Corporate publicity departments work overtime to make their CEOs look almost god-like.

Another example of copy cat journalism.

When to Quit, When to Fight

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By David Craig

How do you respond when your boss asks you to do something you think is unethical?

A web editor for several business-to-business publications told me she was facing that question after a brief item she wrote drew a complaint from sales staff because an advertiser was not mentioned. She said her editor was pressuring her to add information about the advertiser even though it didn’t fit with the original story.

She was looking for confirmation that this was an ethical problem and trying to decide how to respond.

We talked about the Society of Professional Journalists Code of Ethics, and I agreed that there was an ethical problem based on the principle of acting independently. That was the easy part.

The hard part: what to do about it. She was considering quitting her job – a decision no one should take lightly.

I asked her whether this kind of request was part of a pattern or an isolated incident. That’s an important question when the personal stakes are this high. And if nothing like this had happened before, that suggests it might be better to stay and try to do things right than lose the opportunity. I also asked her whether she thought the incident itself was serious enough to justify quitting immediately.

She said nothing like this had happened before. But she was troubled by the support for the advertiser’s view.

She read me an email she had drafted saying she thought the decision was unethical. I suggested she explain why based on the SPJ code so it was clear this was not just her individual judgment but reflected the standards of the profession. As a result, she decided to raise the point about acting independently and (her idea) to include a link to the SPJ code.

I found out later that the editor did not agree and ran the story anyway with the added information from the advertiser. As of the time of this post, the caller was still working there but was trying to line up enough freelance work to leave.

Weapon in a Newspaper War: Politicians

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By David Craig

At a time when many cities are watching one newspaper fight to stay afloat, New Orleans sits in the middle of a newspaper war.

The Times-Picayune, which angered many residents last year by going to three days a week in print, is now battling The Advocate, which is based in Baton Rouge but producing a New Orleans edition – now with its own New Orleans name. And The Times-Picayune is fighting back with new print products.

In the thick of this competition, The New Orleans Advocate made an unusual decision to use local politicians in television ads for the paper. Kevin Allman, a reporter for the New Orleans weekly Gambit, called me to ask my opinion for a story he was doing about the decision.

This was a new one to me. As his story points out, the campaign also uses other well-known locals such as musicians and sports figures. But among the people appearing are two parish presidents, a sheriff and the vice president of the New Orleans City Council.

As I often do, I pointed out a relevant principle in the Society of Professional Journalists Code of Ethics – in this case, acting independently. Allman did a good job in the story highlighting two specific elements: “Avoid conflicts of interest, real or perceived” and “Remain free of associations that may compromise integrity or damage credibility.”

I was more concerned here about perception than reality. I don’t have any reason to think journalists at The New Orleans Advocate will be swayed to distort their coverage and favor one side in issues  involving these officials. But what will the public think?

I think damaged credibility is a real danger if politicians promote news organizations, especially at a time when many in the public have a low view of journalists’ credibility and see media outlets as biased. Kelly McBride from the Poynter Institute put it well in Allman’s story: “The Advocate obviously has a competitive relationship with The Times-Picayune,” McBride said. “If the politicians join The Advocate in sharing that message, what does that say about The Advocate’s ability to critically examine those politicians?”

I’m all for creative thinking about new ways to promote newspapers in an intensely competitive journalism environment. But using politicians in the promotion raises too many questions for me.

The Anonymous Photographer

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By Casey Bukro

A young freelance photographer who has tight connections with local law enforcement and fire departments submits a photo of a fire in a private business to an Arkansas newspaper but refuses a photo byline.

An editor of the newspaper asked the Ethics AdviceLine for Journalists whether his refusal was unethical? Should the photographer have taken the photo, and if the photographer had unfair advantage in taking it, should the newspaper use it?

The AdviceLine advisor pointed out that the case raises issues of transparency, accountability and conflicts of interest, but that the bigger issue was the newspaper’s lack of guidelines for dealing with bylines and credits. The newspaper in question was one of a group of newspapers lacking a code of ethics or standards.

For starters, the advisor suggested that the editor consult the Society of Professional Journalists code of ethics “because the code has many guidelines about what she was asking.”

The editor pointed out that “these papers are small and some newspaper personnel work for volunteer fire departments, then take photos while they are on the job — photos that eventually appear in the paper.”

The editor said that she and the rest of the staff planned a meeting to create guidelines and discuss the SPJ code. That resulted in a decision to use “special to” credits for photos submitted exclusively to the newspaper by outside sources.