Category Archives: Accuracy

Ethical Issues in Mobile Reporting

It was great to see ethical issues come up Friday in a Twitter chat about doing journalism with mobile devices.

Katy Culver, an assistant professor at the University of Wisconsin and visiting faculty member at the Poynter Institute for Media Studies, moderates biweekly #EdShift chats for PBS MediaShift on innovation in journalism education. Much of Friday’s chat, involving both journalists and journalism professors, focused on tips and tools for mobile reporting. But Culver, who is also associate director of the Center for Journalism Ethics at Wisconsin, included a question about ethical concerns.

The tweets in response addressed both specific challenges and broader points about navigating the ethics of mobile journalism.

A reporter from Appleton, Wisconsin, raised an issue in covering accidents that comes with the instant capability of mobile devices:

Steve Buttry, who does training for Digital First Media, pointed to challenges related to accuracy. They are connected both with size and features of mobile devices and the sense of urgency that goes with mobile reporting.

He also noted the need to identify oneself clearly as a journalist:

A journalism professor from Germany pointed out an issue related to photographic features that come with mobile phones.

In only a few words, these journalists highlighted a range of ethical challenges in mobile journalism. A radio reporter from Washington, D.C., noted the broader issue of the great power of these small tools and the responsibility that goes with it:

Another D.C. radio reporter did a good job of pointing out that the specifics of mobile journalism ethics are a work in progress:

I don’t think we’ve received any calls on the Ethics AdviceLine about issues in mobile journalism, but we’d love to be a sounding board for journalists thinking through decisions about reporting and editing on their phones.

Jayson Blair

 

By Casey Bukro

Jayson Blair lied, plagiarized and fabricated stories, shaming the New York Times where he worked.

Why would he do that, knowing that the eyes of the world were focused on one of the world’s great newspapers?

Leonard Pitts Jr., a columnist for the Miami Herald, seemly comes as close as anyone to an answer in a recent column — Blair simply believed he’d never get caught.

It’s a myth, says Blair, that fear of being caught keeps people from doing unethical things. After getting away with it, “once you cross that barrier where you know the chances are you won’t be caught, it becomes very hard to discipline yourself,” Pitts quotes Blair.

It’s a fantasy. And that could be part of the answer.

Anyone in journalism who believes nobody really pays attention to accuracy and fairness is delusional.  The American Journalism Review, in writing about Blair, pointed to other journalists who met their downfalls through dishonesty. It’s usually a matter of time before the distortions that lying create are noticed.

Blair did leave a legacy of sorts.  Some journalists contend media are more concerned about fact-checking now. Maybe.

Recently, films and television broadcasts focused on Blair.

“A Fragile Trust: Plagiarism, Power and Jayson Blair at the New York Times” is a 75-minute documentary.

Blair had a record of poor work habits at the New York Times, which should have raised red  flags before it was too late to prevent what has been described as “one of the most notorious scandals in the history of American journalism.” Some heads rolled.

Now out of journalism,  Blair is described as a “life coach.”

This season of Blair mania comes while several journalism organizations are writing or rewriting codes of ethics, such as the Society of Professional Journalists. Such documents usually list activities that journalists should or should not do.

But rarely do they mention consequences for people like Jayson Blair, who believe there are no consequences for lying, cheating and stealing. They just cross the barrier and set the stage for another scandal.

 

 

Ethics Codes

 

By Casey Bukro

Codes of ethics sound like such noble things.

They can be inspirational and aspirational, statements of our highest moral and professional conduct.

Like any description of what is good, the devil is in the details.  And where journalists are involved, the effort can bring out the devil in them. Some seem to handle it better than others.

For instance, three journalism groups are considering revising or creating codes of ethics: The Society of Professional Journalists, the Radio Television Digital News Association and the Online News Association.

The SPJ effort stands out because of the degree of conflict that erupted over charges by one of SPJ’s regional directors, Michael Koretzky, that the organization’s national ethics committee has conducted the code revision process largely in secrecy. Koretzky is a member of SPJ’s national board.

“It’s been difficult to get answers,” Koretzky said in an e-mail to SPJ leaders. Koretzky  launched his attack against the national ethics committee by e-mailing his “journoterrorist” blog illustrated with 11 panels that graphically compares SPJ’s code revision efforts with ONA’s.

Kevin Smith, SPJ’s national ethics committee chair,  denied “this conspiracy theory of secrecy in revising the code,” adding “we have nothing to hide.”

Koretzky replied that he never said anything about a conspiracy, but “the fact remains that no one has explained to the SPJ board (or anyone else) how the first draft of the code revision was compiled” and who was involved.

David Cuillier, SPJ’s president, added this to the chain of e-mails: “You’re absolutely right, Michael, that we have not communicated the process, or engaged members and non-members, as effectively as ONA.” No conspiracy or secrecy, he added, “but the ultimate outcome is a much more low-key effort on our part. All true.”

SPJ adopted its present code in 1996.

The American Journalism Review described the struggles over SPJ’s proposed code revision.

The Online News Association is working on a novel approach, which it calls “Build Your Own Ethics Code,” a crowdsourced ethics code.

ONA describes it as a toolkit “to help news outlets, bloggers and journalists decide on ethical guidelines that match their own ideas about reporting and journalism.”

The ethics guide would be a constantly updated online document. Reporters will be encouraged to publish the ethics codes they create, and to hold themselves and their news outlets accountable to them, said ONA. In other words, it would be largely voluntary.

RTDNA’s ethics code was last updated in 2000, “and I don’t need to tell you how greatly our technology and our newsrooms have changed in 14 years!” said Mike Cavender, RTDNA”s executive director.

One of the central questions in revising or creating codes of ethics is whether they should reflect changing technology, or state undying principles that apply regardless of technological changes.

RTDNA asked its members to complete a survey. “The goal is to insure that a new code fits our business as it stands today, without straying from the principles that define outstanding journalism.”

All three code-writing efforts are in the round one stage, with more rounds to follow. SPJ’s national ethics committee is expected to report its findings at the organization’s annual convention in September.

All three are worth watching to see if they end in a win, or in a knockout.

 

 

 

 

 

 

 

Pictures Worth A Thousand Touch-Ups

By Casey Bukro

Let’s start with a hoary cliche: A picture is worth a thousand words.

Why?

Think of photos that stick in your mind:  The Hindenburg zeppelin wrapped in flames; dead soldiers at the Battle of Gettysburg; Robert Capa’s D-Day Invasion images; the Iwo Jima flag-raising by Joe Rosenthal; the Beatles; Muhammad Ali; Marilyn Monroe; Elizabeth Taylor; that Afghan girl with haunting eyes in National Geographic; Einstein and Picasso, to name a few.

They are iconic images, in part because they are believed to be accurate portrayals of people and events. Some of those people are famous because they are so photogenic. You want to stare at them.

That makes the relationship between photographers and their audience important, especially now when pictures are vital to covering the news, and when technology makes it so easy to alter images.

It was not considered a big deal a decade or more ago. But now it is, because accuracy in photography is seen as important as accuracy in reporting.

That point was made by the Associated Press when it cut ties with Pulitzer prize-winning freelance photographer Narciso Contreras for altering a picture. He admitted that he edited out a video camera from the bottom left corner of a photo of a fighter holding a rifle.

The Guardian said the “sacking” seemed “very draconian.”

The Associated Press did not think so.  Brian Schwaner, AP bureau chief in New Orleans, said:

 ” AP is quite strict on its requirements for unaltered material, even photos of only marginal value. For example, a few weeks ago the flack for a political candidate sent us a rather standard mugshot for our files, for use during the election. Our bureau photographer took a look at it and was suspicious. After running some tests, he discovered it had been heavily PhotoShopped. The flack was informed and we rejected the photo.

            “So the scrutiny ranges from the basics – like this simple mugshot – all the way up to celeb shots and battlefield photos.”
That’s the way it’s done these days, although, ironically, it’s a time when news organizations cut their photo staffs as a cost-saving measure. That means more reliance on freelancers. Contreras was a freelancer, and maybe that’s part of the message.

A Squirmable Moment

By Casey Bukro

That squirmable moment comes when a journalist racing to get it fast, discovers that he got it wrong.

The stomach lurches, and if it’s bad enough, you might even throw up.

Think the Richard Jewell story. Or two innocent by-standers shown in a front-page photo as possible Boston Marathon bombing suspects. Or the man falsely identified as the Washington Navy Yard shooter because his identification card was found at the scene of 12 murders in Philadelphia.

“Verify before you villify,” says Ben L. Kaufman in CityBeat.Com, recalling the experience of Rollie Chance, mistakenly identified by NBC and CBS as the Navy Yard shooter. Chance said the falsehood took a toll on him.

At least Chance was cleared quickly, unlike the case of Richard Jewell. He was a security guard portrayed as an heroic first responder at the 1966 Olympic Park bombing which took one life and injured more then 100. Then Jewell became the bombing suspect and was identified, but not charged, in what had been described as a “media circus.”

Jewell was cleared by the federal government after nearly three months of coverage that often focused on him, his appearance, personality and his background. Almost a decade later, Eric Rudolph, a violent anti-abortionist, pleaded guilty to the bombing. Jewell died in 2007.

Looking back on that episode, a New York Times reporter, Kevin Sack, who covered the Atlanta bombing, told of his frustration when the Times executive editor at the time, Joseph Lelyveld, ruled against naming Jewell in the newspaper, while the Atlanta Journal and other media named him.

Later, the reporter praised Lelyveld for his “rabbinical wisdom” in resisting heavy competitive pressure to name Jewell as a suspect.

No rabbinical wisdom appeared to be involved when the New York Post ran a front page photo of two men, calling them “Bag Men” and saying they were being sought by authorities in the April Boston Marathon bombing. The men later sued the tabloid for defamation.

Three people died and an estimated 264 were injured in the April bombing, in which brothers Dzhokar and Tamerlan Tsarnaev later were identified as the suspects. Tamerlan was killed by police and Dzhokar was wounded before his capture.

The Society of Professional Journalists code of ethics says “test the accuracy of information from all sources and exercise care to avoid inadvertent error.” Good advice.

“60 Minutes” Trips on Truth

By Casey Bukro

“60 Minutes” built a towering reputation as the TV news magazine that gets it right, but now is apologizing for getting it wrong in its report about the terrorist attack last year on the U.S. diplomatic mission in the Libyan port city of Benghazi.

Lara Logan, who reported the story, said it was a mistake to highlight a supposed eyewitness account of the attack by a security contractor who later was found to be lying about being at the scene of the attack, and seeing the body of U.S. ambassador J. Christopher Stevens at a local hospital.

“We made a mistake, and that’s very disappointing for any journalist,” said Logan.

The mistake involves an interview with Dylan Davies, a security contractor whose firm worked for the U.S. government, who was identified by “60 Minutes” by his pseudonym, Morgan Jones. He gave Logan a dramatic account of his role in fighting the terrorists, even smashing a terrorist in the face with a rifle butt. Logan appeared to coach him in describing the encounter.

“It was a mistake to include him in our report. For that, we are very sorry,” she is quoted in a New York Times story.

Actually, Davies/Jones told FBI investigators and his employer that he never left his villa the night of the attack because it was too dangerous. He did not visit the attack scene until the next morning. The conflicting government report caused the “60 Minutes” report to unravel.

From a journalist’s point of view, one can wonder about the CBS report, admittedly in retrospect. Why was Davies allowed to use a fake name on camera? And was any attempt made to prove that Davies was at the attack scene or at the local hospital, as he alleged?

The Times reported that CBS News Chairman Jeff Fager called the Logan report “as big a mistake” as “60 Minutes” has made in its 45-year history, but that its televised apology would be its last word on the issue.

This is seen as a “defensive crouch” by a news organization with a hard-hitting reputation and little pity for those caught in its cross-hairs. Fager also is executive producer of “60 Minutes.”

Marvin Kalb, a former CBS news correspondent, said in Politico.com that an apology from CBS is not enough.

“What has CBS learned, if anything?” asks Kalb, a senior adviser to the Pulitzer Center on Crisis Reporting.

Following the apologies, said Kalb, “perhaps CBS (and other networks, too) will engage in a wide-ranging, no-holds-barred self-analysis of its reporting standards, starting one hopes with the unholy alliance it has formed with book publishers pushing their hot exclusives,” he wrote.

Davies/Jones had a book deal with Simon & Schuster, which is owned by CBS’s parent corporation.

If an apology is all CBS News can muster, clearly it is not being as tough on itself as it is on others.

The Society of Professional Journalists code of ethics encourages journalists to “abide by the same high standards to which they hold others.”

On the upside, “60 Minutes” admitted its mistake and apologized, a rarity in TV journalism.  SPJ says “admit mistakes and correct them promptly.” The admission phase is done; the correction remains to be seen.

Later, CBS announced that Logan and her producer were placed on leave of absence.

In a memo to staff, Fager wrote that he asked Logan and Max McClellan, the producer, to take a leave of absence, which they agreed to do.

“When faced with a such an error, we must use it as an opportunity to make our broadcast even stronger,” Fager wrote. “We are making adjustments at 60 Minutes to reduce the chances of it happening again.”

As executive producer, Fager said, “I am responsible for what gets on the air.”

Pitfalls of Identifying Bystanders as Bombers

By Casey Bukro

Stupidity is not a crime, and ethical lapses usually will not land you in jail.

But they have consequences, as the New York Post learned when two men sued the tabloid newspaper for showing them in a front-page photo at the height of the search for Boston Marathon Bombing suspects, with a “Bag Men” headline.

CNN reported that the men, 16 and 24-years old, accused the Post of libel, negligent infliction of emotional distress and invasion of privacy for showing them standing next to each other in the April 18 edition. Also displayed in large letters on the photo were the words: “Feds seek these two pictured at Boston Marathon.” The photo appeared three days after the Boston bombing, making it appear that the FBI were searching for them. One of them wore a backpack.

Post editor Col Allan said the Post did not identify the men as “suspects.”

Huffington Post reported outrage at the use of the photo, with some calling it “a new low” and “appalling.”

Later that day, authorities released photos of Boston bombing suspects Tamerlan and Dzhokhar Tsarnaev.

NBCNEWS.com reported that the two innocent men were stunned to see themselves pictured on the front page of the tabloid and one of them suffered a panic attack.

Minimize harm, advises the Society of Professional Journalists code of ethics. And be judicious, it says, about naming criminal suspects before they are charged. Though the two men were not  named by the Post, it’s an apt comparison when showing their faces.

The New York Post photo is considered an example in a series of errors and false reports that were rampant during the frenzy of trying to learn motives for the bombing, and who did it.

Crowd sourcing, it turned out, was not as valuable as its supporters might have supposed. Authorities essentially told the public they were not interested in the flood of iPhone photos that were offered of people and things considered suspicious. Instead, authorities zeroed in on the Tsarnaev brothers by using highly sophisticated identification technology.

There’s one more questionable thing about that New York Post photo, and that’s the use of the words “Bag Men.” You don’t have to be from Chicago or New York to know “bag man” is slang for a person who collects money for racketeers, or a mob errand boy.

It was bad enough that two innocent men were linked falsely with the Boston bombing. It got worse when they were tainted with language that implied criminal activity. Words hurt. They also can get you sued.