Category Archives: Fabrication

Anon Again

Accountability, Fabrication, Minimizing Harm, , , , , , , ,

 

By Casey Bukro

Anonymous sources — used by media and by government officials — came up again in a New York Daily News piece by James Warren.

Warren used a press briefing by Josh Earnest, the new White House press secretary, to illustrate how Earnest and a reporter dueled, trading accusations of withholding sources. Back and forth they went, parry and thrust.

Warren also comments on the value of White House news briefings, and whether they actually produce news.

“It has been a fairly informative ritual at times evolved (perhaps partly as a result of the cameras) into an hour or so of premeditated evasions by the spokesman; a bit too much prosecutorial posturing by some of the reporters; and, ultimately, rhetorical stand-offs in which there’s little advancement in public understanding of important matters.

Actually, Warren noted, if a White House reporter’s annual salary depended on legitimate stories produced by the briefings, he’d “be eligible for unemployment compensation.”

But the bulk of Warren’s story deals with the give-and-take between Earnest and a reporter, who was asking for more on-the-record sources from the White House. That would depend, said Earnest, on a case-by-case evaluation and ground rules “that will serve your interests and the White House interest the best.”

Warren called the “spitball fight” hypocritical.

“The Washington media, like media at other levels of journalism, is often involved in a mutual self-protection racket with the people we cover,” he wrote. “It can be at the White House, City Hall in Chicago or a county board in Texas. The dynamic is roughly similar. Too many reporters are manipulated with scarcely a qualm.”

About.Com Media describes the dangers of using anonymous news sources and offers five questions to ask yourself before trusting anonymous sources.

The site points out that inexperienced reporters might believe that using anonymous sources “make news stories sound more important,” but the practice presents “many ethical and legal dangers.”

Taking a Devil’s Advocate approach, New York News & Politics explored whether the Watergate investigation leading to President Nixon’s resignation could have been possible without  W. Mark Felt, later identified as the “Deep Throat” confidential informant.

The story touches on the working habits of Seymour Hersh and Jayson Blair, with comments from Bob Woodward.

“Journalism exists to get us closer to all sorts of truth, and anonymous sources are essential to the endeavor,” concludes the author, Kurt Andersen. “Even now, they provide more social benefit than they (exact) in moral costs.”

 

 

Jayson Blair

Accountability, Accuracy, Fabrication, Plagiarism, Uncategorized, , , , ,

 

By Casey Bukro

Jayson Blair lied, plagiarized and fabricated stories, shaming the New York Times where he worked.

Why would he do that, knowing that the eyes of the world were focused on one of the world’s great newspapers?

Leonard Pitts Jr., a columnist for the Miami Herald, seemly comes as close as anyone to an answer in a recent column — Blair simply believed he’d never get caught.

It’s a myth, says Blair, that fear of being caught keeps people from doing unethical things. After getting away with it, “once you cross that barrier where you know the chances are you won’t be caught, it becomes very hard to discipline yourself,” Pitts quotes Blair.

It’s a fantasy. And that could be part of the answer.

Anyone in journalism who believes nobody really pays attention to accuracy and fairness is delusional.  The American Journalism Review, in writing about Blair, pointed to other journalists who met their downfalls through dishonesty. It’s usually a matter of time before the distortions that lying create are noticed.

Blair did leave a legacy of sorts.  Some journalists contend media are more concerned about fact-checking now. Maybe.

Recently, films and television broadcasts focused on Blair.

“A Fragile Trust: Plagiarism, Power and Jayson Blair at the New York Times” is a 75-minute documentary.

Blair had a record of poor work habits at the New York Times, which should have raised red  flags before it was too late to prevent what has been described as “one of the most notorious scandals in the history of American journalism.” Some heads rolled.

Now out of journalism,  Blair is described as a “life coach.”

This season of Blair mania comes while several journalism organizations are writing or rewriting codes of ethics, such as the Society of Professional Journalists. Such documents usually list activities that journalists should or should not do.

But rarely do they mention consequences for people like Jayson Blair, who believe there are no consequences for lying, cheating and stealing. They just cross the barrier and set the stage for another scandal.

 

 

Pictures Worth A Thousand Touch-Ups

Accountability, Fabrication, Media, Photos, , , , , , , , , , , , ,

By Casey Bukro

Let’s start with a hoary cliche: A picture is worth a thousand words.

Why?

Think of photos that stick in your mind:  The Hindenburg zeppelin wrapped in flames; dead soldiers at the Battle of Gettysburg; Robert Capa’s D-Day Invasion images; the Iwo Jima flag-raising by Joe Rosenthal; the Beatles; Muhammad Ali; Marilyn Monroe; Elizabeth Taylor; that Afghan girl with haunting eyes in National Geographic; Einstein and Picasso, to name a few.

They are iconic images, in part because they are believed to be accurate portrayals of people and events. Some of those people are famous because they are so photogenic. You want to stare at them.

That makes the relationship between photographers and their audience important, especially now when pictures are vital to covering the news, and when technology makes it so easy to alter images.

It was not considered a big deal a decade or more ago. But now it is, because accuracy in photography is seen as important as accuracy in reporting.

That point was made by the Associated Press when it cut ties with Pulitzer prize-winning freelance photographer Narciso Contreras for altering a picture. He admitted that he edited out a video camera from the bottom left corner of a photo of a fighter holding a rifle.

The Guardian said the “sacking” seemed “very draconian.”

The Associated Press did not think so.  Brian Schwaner, AP bureau chief in New Orleans, said:

 ” AP is quite strict on its requirements for unaltered material, even photos of only marginal value. For example, a few weeks ago the flack for a political candidate sent us a rather standard mugshot for our files, for use during the election. Our bureau photographer took a look at it and was suspicious. After running some tests, he discovered it had been heavily PhotoShopped. The flack was informed and we rejected the photo.

            “So the scrutiny ranges from the basics – like this simple mugshot – all the way up to celeb shots and battlefield photos.”
That’s the way it’s done these days, although, ironically, it’s a time when news organizations cut their photo staffs as a cost-saving measure. That means more reliance on freelancers. Contreras was a freelancer, and maybe that’s part of the message.

“60 Minutes” Trips on Truth

Accountability, Accuracy, Fabrication, , , , ,

By Casey Bukro

“60 Minutes” built a towering reputation as the TV news magazine that gets it right, but now is apologizing for getting it wrong in its report about the terrorist attack last year on the U.S. diplomatic mission in the Libyan port city of Benghazi.

Lara Logan, who reported the story, said it was a mistake to highlight a supposed eyewitness account of the attack by a security contractor who later was found to be lying about being at the scene of the attack, and seeing the body of U.S. ambassador J. Christopher Stevens at a local hospital.

“We made a mistake, and that’s very disappointing for any journalist,” said Logan.

The mistake involves an interview with Dylan Davies, a security contractor whose firm worked for the U.S. government, who was identified by “60 Minutes” by his pseudonym, Morgan Jones. He gave Logan a dramatic account of his role in fighting the terrorists, even smashing a terrorist in the face with a rifle butt. Logan appeared to coach him in describing the encounter.

“It was a mistake to include him in our report. For that, we are very sorry,” she is quoted in a New York Times story.

Actually, Davies/Jones told FBI investigators and his employer that he never left his villa the night of the attack because it was too dangerous. He did not visit the attack scene until the next morning. The conflicting government report caused the “60 Minutes” report to unravel.

From a journalist’s point of view, one can wonder about the CBS report, admittedly in retrospect. Why was Davies allowed to use a fake name on camera? And was any attempt made to prove that Davies was at the attack scene or at the local hospital, as he alleged?

The Times reported that CBS News Chairman Jeff Fager called the Logan report “as big a mistake” as “60 Minutes” has made in its 45-year history, but that its televised apology would be its last word on the issue.

This is seen as a “defensive crouch” by a news organization with a hard-hitting reputation and little pity for those caught in its cross-hairs. Fager also is executive producer of “60 Minutes.”

Marvin Kalb, a former CBS news correspondent, said in Politico.com that an apology from CBS is not enough.

“What has CBS learned, if anything?” asks Kalb, a senior adviser to the Pulitzer Center on Crisis Reporting.

Following the apologies, said Kalb, “perhaps CBS (and other networks, too) will engage in a wide-ranging, no-holds-barred self-analysis of its reporting standards, starting one hopes with the unholy alliance it has formed with book publishers pushing their hot exclusives,” he wrote.

Davies/Jones had a book deal with Simon & Schuster, which is owned by CBS’s parent corporation.

If an apology is all CBS News can muster, clearly it is not being as tough on itself as it is on others.

The Society of Professional Journalists code of ethics encourages journalists to “abide by the same high standards to which they hold others.”

On the upside, “60 Minutes” admitted its mistake and apologized, a rarity in TV journalism.  SPJ says “admit mistakes and correct them promptly.” The admission phase is done; the correction remains to be seen.

Later, CBS announced that Logan and her producer were placed on leave of absence.

In a memo to staff, Fager wrote that he asked Logan and Max McClellan, the producer, to take a leave of absence, which they agreed to do.

“When faced with a such an error, we must use it as an opportunity to make our broadcast even stronger,” Fager wrote. “We are making adjustments at 60 Minutes to reduce the chances of it happening again.”

As executive producer, Fager said, “I am responsible for what gets on the air.”