Category Archives: Accountability

Conflict of Interest: The Perils of Journalists in Love

From the Ethics AdviceLine for Journalists archives.

By Casey Bukro

The managing editor of a California newspaper said one of his reporters has been having an affair with the mayor of one of the towns the paper covers.

The editor learned that she has sent her paramour at least two stories about his town prior to their publication. The editor intends to confront the reporter about this, but she is otherwise a fine reporter and writer and he doesn’t want to lose her.

A further complicating factor is the discovery that a competing newspaper has become aware of the relationship between the reporter and the mayor, and might run a story about it. The managing editor wanted to know the AdviceLine adviser’s take on this situation, for the reporter and for the editor.

The AdviceLine adviser pointed out that the reporter had violated two standards in the Society of Professional Journalists code of ethics – to “act independently” and “avoid conflicts of interests, real or perceived” – by concealing her relationship with the mayor from her editor, surreptitiously leaking stories in advance of their publication and then concealing that exchange.

“The other paper’s telling this story before you do anything about it might severely or even fatally impair your paper’s credibility and reputation. Imagine what a typical reader would think,” said the adviser.

The editor answered: “I can, alas.”

Here’s what the AdviceLine  adviser suggested:

“I think you should do something decisive, and promptly. Either reassign her to an utterly different beat or function, at the minimum. Or fire her. In either event, you might consider disclosing the matter in some form to the public before the competition gets a chance to do it for (or to) you.”

The editor answered: “That’s pretty much exactly what I thought was called for before I called you — I wanted confirmation of my instincts.”

Years after the editor called AdviceLine for guidance, AdviceLine called the editor to learn the outcome of this case.

“I wanted to fire her outright,” said the editor, who left the newspaper after 22 years in the news business. “She eventually got fired,” he added, but not for her affair with the mayor.

The case was brought before the newspaper’s human resources department for review. The HR managers decided that an employee could have a relationship with whomever she wanted.

“With regard to the conflict of interest (of sex with the mayor), HR was not interested in that,” said the former editor.

“There also was an issue of the same female reporter sending her copy to the mayor for review before she filed it to the editor,” he said. “If we had not found out that she was sending copy to the mayor in advance, I don’t think HR would have signed off on firing her.”

Though journalists are guided by ethics codes like the one adopted by the Society of Professional Journalists, HR departments are guided by a different set of standards.

There were “worries about litigation in a highly litigious state,” said the former editor. That was a deciding factor.

Going Undercover for Drugs

From the files of the Ethics AdviceLine for Journalists

By Casey Bukro

An Arizona community newspaper staff is considering sending a reporter/photographer team out with a few $20 bills to do a story on how easy it is to buy drugs, but fear they might be arrested if they do that.

What are the legal and ethical implications? A staff writer asked in an email to the Ethics AdviceLine for Journalists.

AdviceLine does not answer legal questions, but from an ethical perspective, said an AdviceLine adviser, the marginal issue is that the reporter would be acting as a buyer and misrepresenting himself.

If they went ahead with the plan to buy drugs, the staff writer added, would they be compelled to report it to the police? The adviser answered that they would have been a witness to a crime, and “it seems to me they would be obligated to do so.”

The assignment sounds more like police work than journalism, said the adviser, and “while I applaud the motive and the courage of the reporter, have you looked at other ways to accomplish the same thing?”

One possibility would be to cooperate with police, instead of embarrassing them, which an article about an undercover journalist might do.

Also, the Society of Professional Journalists Code of Ethics discourages undercover or other surreptitious methods of gathering information “unless traditionally open methods will not yield information vital to the public.”

The AdviceLine adviser summarized his views by saying: “First, the project is dangerous. Second, it should be left to the police. And third, as an alternative, contact the police and ask if a reporter might accompany an officer who might carry out the ‘bust’…”

The writer said he had not thought about working with police in that way.

Brian Williams, Virtue and the Culture of Network TV News

IMG_9935Correspondent and professor Mike Boettcher, left, with public TV anchor Dick Pryor and professor and editor Yvette Walker (photo by Collier Hammons)

By David Craig

Who’s to blame for Brian Williams’ exaggerations about covering the Iraq war? Clearly he’s to blame because they were his choices. But Mike Boettcher, a longtime foreign correspondent for CNN and NBC who now does work for ABC, had an interesting take on that question during a panel I participated in last week at a conference at the University of Oklahoma.

Boettcher, who is now my colleague on the faculty at the Gaylord College of Journalism and Mass Communication, said we can blame Edward R. Murrow and Walter Cronkite. “They became the biggest stars in television news” based on the history they built as war correspondents – Murrow covering the blitz in Britain during World War II and Cronkite flying combat missions in B-17s. Thanks to their work, being a war correspondent became a rite of passage in TV news, Boettcher told the audience at the midwinter conference of the Association for Education in Journalism and Mass Communication.

In our era, Boettcher said, anchors are developed “in a very accelerated way, and I think that’s partly to blame for what happened.” He said Williams was the weekend anchor at WCBS in New York and the head of talent recruitment at NBC had his eye on him. After he came to NBC, the network “began to build the narrative around him,” parachuting him into the sites of major stories so he could build his “promotional reel.” Boettcher said Williams “started believing that narrative that was built around him,” and may have felt pressure to tell stronger stories because he didn’t believe his were good enough.

The Williams situation and Boettcher’s comments make me think of what philosophers call virtue ethics, a line of thought that goes back to Aristotle. Many discussions of journalism ethics focus on ethical dilemmas – hard choices involving balancing of principles such as seeking truth and minimizing harm. But a key element of ethics is connected with character and traits such as honesty and courage that people develop as habits and reflect in their decisions.

Did Williams’ conduct reflect a character flaw? That’s hard to say without being inside his head or being around him regularly, but the evidence of a pattern of exaggeration makes me wonder. Surely a key part of NBC’s investigation will be to see whether more evidence of a pattern exists.

Alongside the idea of virtue ethics comes a concept from Notre Dame philosopher Alasdair MacIntyre. He talks about a concept he calls external goods – achievements that accompany practices (including journalism and other professions) but are not part of the substance of what these practices do. External goods – such as status, power and profit – have the potential to corrupt practices. They get in the way of virtuous conduct.

Did desire for status corrupt Williams’ pursuit of honesty? As with consideration of his character itself, that is a difficult question to judge at a distance. Regardless, though, his story is a cautionary tale for journalists and journalism students. That is particularly true in the age of celebrity journalism. Building one’s brand individually, and building a corporate brand and ratings, can overshadow honest and courageous pursuit of the truth.

Dick Pryor, an anchor on public television in Oklahoma who was on the panel with Boettcher, agreed it’s easy for anchors to get “wrapped up in who they are,” to start thinking they can’t apologize and to think they are “bigger than the news.” He said it’s important to use the “truth filter” and remember what you’re there for – not to make money or create a persona but to provide news and interpretation as a public service.

The ethical bar is higher than ever today for anchors and for other journalists because, as with the soldiers who helped bring Williams down via Facebook, every member of the public can instantly question the truth of what any journalist does. As Yvette Walker, an editor for The Oklahoman who teaches journalism ethics at the University of Central Oklahoma, put it, “Someone will find you out.” And as Boettcher said, there is a “new check and balance” where a little guy can bring down an anchor.

In the end, what NBC does with Williams will probably be driven by public feedback, said Todd Spessard, news director for KWTV in Oklahoma City. The “citizen ombudsman” helped create the situation, and “for better or for worse it will probably be the viewing public that in the end decides how this plays out.”

When Media Are the News: Brian Williams’ Mistake

 

 

 

 

  • Brian Williams under fire: Cartoons of the day
            Bob Englehart, Hartford Journal

 

By Casey Bukro

The news has been the news in recent weeks, starting with Rolling Stone, then Charlie Hebdo and now NBC’s Nightly News anchor Brian Williams.

Usually, journalists try to avoid being the story, although Williams demonstrated that television celebrities might see no harm in a little self-promoting embellishment even if it’s  untrue.

After challenges from military witnesses, Williams now admits he was mistaken or had “gone crazy” when he said that he was in a helicopter that was shot down in 2003 while he was covering the Iraq war. Williams often repeated that scenario, making himself look intrepid.

Whoops. It was another helicopter that was forced down by a rocket hit, not the one Williams was riding. Williams and military witnesses give different accounts of the incident.

Williams apologized.

Caught in a fabrication that was widely mocked on the internet, Williams said he was stepping down for a few days from his post as managing editor and anchor of Nightly News, a post which ethics expert Kelly McBride of the Poynter Institute described as “the primary arbiter of the facts.”

Let’s get one thing straight: Williams was in a helicopter in a war zone, which was dangerous and laudable. Witnesses vouch for that. So I give the guy credit for doing a reporter’s job.

But he went a step too far and landed in the shoals of fabrication and deceit, which ended the careers of Jayson Blair of the New York Times, Janet Cooke of the Washington Post and Stephen Glass of The New Republic. Their careers crashed and burned.

Dan Rather left CBS News after 44 years for “a mistake in judgment.”

NBC management said they were considering “the best next steps.” They should consider the Society of Professional Journalists code of ethics. It says “journalists should be honest….” They also should not cast doubt on the credibility of other journalists working to gain the trust and respect of the public.

NBC suspended Williams for six months without pay.

For some people, Williams will be living proof that “reporters make it all up.”

Williams told the false story of his heroics often, and one unanswered question is whether NBC knew the story was fake and did nothing about it. Where were the editors? Or was Williams so untouchable that nothing he said could be challenged? Television crew members with Williams also witnessed the event. Did anyone bother to question them?

To complicate matters, Williams’ 2005 coverage of Hurricane Katrina also is being challenged since he reported seeing a body floating past his hotel room in the French Quarter of New Orleans.

A local newspaper reported that flood waters did surround the Ritz-Carlton where Williams was staying. And a former sheriff’s sergeant working with the anchor during the Katrina floods says he believes Williams.

Charlie Hebdo was a far more tragic story, in which two gunmen killed 12 people in or near the offices of the satirical magazine, which had published cartoons of the Prophet Mohammed.

Two philosophers who are staff members of the Ethics AdviceLine for Journalists wrote blogs about the event. You can read their comments at http://www.ethicsadvicelineforjournalists.org.

David Ozar and Hugh Miller agreed that no religion condones killing people over religious or philosophical differences.  But they saw the Charlie Hebdo massacre turning on the issue of offense, and what should be done to avoid offending the beliefs of others.

A step in that direction came when al-Jezeera English banned the use of certain words that could be offensive in other cultures, such as “terrorists,” “Islamists” or “jihad.”

Nancy Matchett, also an AdviceLine staff member, had this to say about Charlie Hebdo:

” I too think the most interesting and difficult issues raised by satire have to do with the concept of ‘offense.’  One thing I might emphasize a bit more (and here I would be paraphrasing Eleanor Roosevelt’s famous line) is that no one can offend another person without that other person’s consent.

“That does not, of course, obviate the point that a person can, through deliberate malice or carelessness or even cluelessness, say or do things that are extremely likely to be taken offensively by specific others (and here again, I agree with both Dave and Hugh that such sayings and doings constitute ethical failings).

“It is just to note that the mere fact that one person ‘took offense’ does not, by itself, show that the purportedly offensive action was the result of a clearly blameworthy motive like malice, etc. Applied very briefly to Charlie Hebdo, it’s my sense that the magazine was trying to deliberately provoke (if not outright offend) in ways that make the taking of offense by various communities justified. But of course a murderous response to even the most highly offensive speech act is inexcusable in any context.”

And I would add one more thought about Charlie Hebdo. And that is to be true to your standards about giving offense. Think hard about it, and decide on your standards. Then stick to them. Charlie Hebdo intentionally offended. It was their standard. Journalists should decide where they draw the line.

Enough time has passed to show that Rolling Stone magazine clearly shot itself in the foot by reporting a story based on a single source, with no attempt at in-depth investigation, about an unnamed woman who said she had been gang raped by seven men at a fraternity party on the University of Virginia campus in 2012.

The story began unraveling almost immediately after it was printed as times, dates, places and people mentioned in the story did not match reality.

The author, Sabrina Rubin Erdely,  said she had agreed with a request from the alleged rape victim to avoid interviewing anyone else who might have been involved, thereby violating a standard journalism practice to seek as many viewpoints as possible to check the validity of the allegations.

Erdely and Brian Williams have this in common: They should have checked their facts.

Rolling Stone editors later issued a statement saying that in light of new information, “there now appear to be discrepancies,” and the editors concluded their trust in the young woman’s story “was misplaced.”

“The truth would have been better served by getting the other side of the story,” tweeted Rolling Stone managing editor Will Dana.

The university and the fraternity mentioned in the story were seriously smeared by the allegations, and the legitimate cause of campus rape prevention was damaged.

Charlie Hebdo represented an assault on freedom of expression.

Brian Williams and Rolling Stone represent an assault on professional standards in journalism, and a subversion of simply telling the truth.

 

 

 

 

Dilemmas and Difficult Choices

mybestwriter.com image

By Nancy J. Matchett

Professionals wrestling with ethical issues often describe themselves as facing dilemmas. But in many situations, what they may really be facing is another kind of ethically difficult choice.

In a genuine ethical dilemma, two or more principles are pitted head to head. No one involved seriously doubts that each principle is relevant and ought not to be thwarted. But the details of the situation make it impossible to uphold any one of the principles without sacrificing one of the others.

In a difficult ethical choice, by contrast, all of the principles line up on one side, yet the person still struggles to figure out precisely what course of action to take. This may be partly due to intellectual challenges: the relevant principles can be tricky to apply, and the person may lack knowledge of important facts. But difficult choices are primarily the result of emotional or motivational conflicts. In the most extreme form, a person may have very few doubts about what ethics requires, yet still desire to do something else.

The difference here is a difference in structure. In a dilemma, you are forced to violate at least one ethical principle, so the challenge is to decide which violation you can live with. In a difficult choice, there is a course of action that does not violate any ethical principle, and yet that action is difficult for you to motivate yourself to do. So the challenge is to get your desires to align more closely with what ethics requires.

Are professional journalists typically faced with ethical dilemmas? This is unlikely with respect to the four principles encouraged by the SPJ Code (Seek Truth and Report It, Minimize Harm, Act Independently, and Be Accountable and Transparent). Of these, the first two are most likely to conflict, but so long as all sources are credible and facts have been carefully checked, it should be possible to report truth in a way that at least minimizes harm. Somewhat more difficult is determining which truths are so important that they ought to be reported. Reasonable people may disagree about how to answer this question, but discussion with fellow professionals will often help to clear things up. And even where disagreement persists, this has the structure of a difficult choice. No one doubts that all principles can be satisfied.

Of course, speaking truth to power is not an easy thing to do, even when doing so is clearly supported by the public’s need to know. So motivational obstacles can also get in the way of good decision-making. A small town journalist with good friends on the city council may be reluctant to report a misuse of public funds. It is not that he doesn’t understand his professional obligation to report the truth. He just doesn’t want to cause trouble for his friends.

This is why it can be useful to resist the temptation to classify every ethical issue as a dilemma. When facing a genuine dilemma you are forced, by the circumstances, to do something unethical. But wishing you could find some way out of a situation in which ethical principles themselves conflict is very different from being nervous or unhappy about the potential repercussions of doing something that is fully supported by all of those principles. Accurately identifying the latter situation as a difficult choice makes it easier to notice — and hence to avoid — the temptation to engage in unprofessional forms of rationalization. That doesn’t necessarily make the required action any easier to actually do, but getting clearer about why it is ethically justified might at least help to strengthen your resolve.

Ethical dilemmas are more likely to arise when professional principles conflict with more personal values. Here too, the SPJ Code can be useful, since being scrupulous about avoiding conflicts of interest and fully transparent in decision-making can mitigate the likelihood that such conflicts occur. But journalists who are careful about all of this may still find that issues occasionally come up. As the recent case of Dave McKinney shows, it can be very difficult to draw a bright line between personal and professional life. And the requirement to act independently can make it difficult to live up to some other kinds of ethical commitments.

Whether this sort of personal/professional conflict counts as a genuine dilemma is subject to considerable philosophical dispute. The Ancient Greeks tended to treat dilemmas as pervasive, but modern ethics have mainly tried to explain them away. One strategy is to treat all ethical considerations as falling under a single moral principle (this is the approach taken by utilitarianism); another is to develop sophisticated tests to rank and prioritize among principles which might otherwise appear to conflict (this is the approach taken by deontology). If you are able to deploy one of these strategies successfully, then what may at first look like a professional vs. personal dilemma will turn out to be a difficult choice in the end. Still, many contemporary ethicists side with the Greeks in thinking such strategies will not always work.

If you are facing a genuine dilemma it is not obvious, from the point of view of ethics, what you should do. But here again, it can be helpful to see the situation for what it is. After all, even if every option requires you to sacrifice at least one ethical principle, each option enables you to uphold at least one principle too. In addition to alleviating potentially devastating forms of shame and guilt, reflecting on the structure of the situation can enhance your ability to avoid similar situations in the future. And if nothing else, being forced to grab one horn of a genuine dilemma can help you discover which values you hold most dear.

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The Ethics AdviceLine for Journalists was founded in 2001 by the Chicago Headline Club (Chicago professional chapter of the Society of Professional Journalists) and Loyola University Chicago Center for Ethics and Social Justice. It partnered with the Medill School of Journalism at Northwestern University in 2013. It is a free service.

Professional journalists are invited to contact the Ethics AdviceLine for Journalists for guidance on ethics. Call 866-DILEMMA or ethicsadvicelineforjournalists.org.

 

The Steve Kroft Affair

 

 

By Casey Bukro

We here at Ethics AdviceLine for Journalists sometimes clash over what is ethical or not.

The Steve Kroft affair is the latest example.

The veteran “60 Minutes” correspondent admits he had a three-year fling with a New York City lawyer, though both are married.

“I had an extramarital affair that was a serious lapse of personal judgment and extremely hurtful to my wife and family, and for that I have nothing but regret,” Kroft said in a statement to the New York Post. Both the Post and the National Enquirer published salacious text messages between Kroft and his lover, proving once again that anything on the internet is not private.

A CBS spokesperson said “It’s a private matter.”

Soon after the scandal broke, an AdviceLine colleague wrote: “Are personal values/ matters the same as professional matters? Should I teach my students that I don’t care what they do in their personal lives as long as they make good ethical choices in their professional ones? Personally, this Kroft story does not interest me. His professional work does.”

Kroft is one of the most high-profile journalists in America. He has been a CBS newsman for 31 years, 26 of them as a correspondent with “60 Minutes,” which specializes in asking the high and mighty tough questions about their personal lives, their entanglements, their dalliances and the quality of their professional judgment.

Here’s what I say to my AdviceLine colleague: What people do in their personal lives reflects on their credibility and integrity. I don’t think you can separate personal and work lives that easily.

By your reasoning, we should have ignored Bill Clinton’s affair with Monica Lewinsky, as we did with JFK and his affairs. Looking back on JFK, journalists are criticized now for turning a blind eye to his dalliances. Now we’re more inclined to think about accountability.

Kroft is a very public figure by virtue of his role on “60 Minutes.” Part of his job is exposing the conduct of public officials. I would buy your argument if he were not a public figure. That is why, in ethics, we draw the distinction between public and private individuals.

Also, there is the issue of blackmail. Anyone involved in something he or she does not want the public to know is subject to the possibility of blackmail and manipulation.

Tell your students that they have to be smart enough to recognize that ethical values apply to all facets of people’s lives, especially to public figures, and that they, themselves, become public figures when they become very visible journalists. Think Woodward and Bernstein.

That’s why, these days, we encourage publishers and editors to avoid becoming involved in civic organizations, a practice that once was common, and to a degree still is. There is the public perception that if a publisher is an official on the board of a civic organization, he will favor that organization and give it favorable publicity. He also is seen likely to keep bad information about the organization out of the news.

The Society of Professional Journalists code of ethics warns journalists to avoid conflicts or interest, real or perceived.

All of this is in the realm of accountability, an issue we take more seriously these days. People with ethics issues should not be pointing fingers at others with ethics issues. “60 Minutes” sets very high standards and its correspondents should measure up to them.

Personally, I always thought my role as a journalist meant that I was forbidden from doing things others could do. When I covered finance, I avoided buying stock in companies I covered. I did not join organizations I covered. I did not take part in political campaigns.

You can argue that any American citizen is entitled to do those things, and you would be right. But I always believed that anything I did should be above reproach. Being a journalist was paramount. It is an honor, a privilege and a duty to be smart enough to avoid any activity that could tarnish my reputation, and the reputation of the journalism organization I worked for.

Too often, the public complains that the media gleefully write about the transgressions of politicians and others, while keeping silent about the transgressions of journalists. The “old boy” syndrome. They say we cover up for each other. It’s a double standard. We should report on the transgressions of journalists as vigorously as we do about the transgressions of others. It’s only fair.

Comments are welcome.

Rape, Cosby and UVA

A story in Rolling Stone featured the alleged gang rape of a University of Virginia student, launching calls for reform and more attention to the issue of sexual assaults on campus. Recent reporting by the Washington Post, however, has raised doubts about the veracity of the story.
Fraternity house named in alleged rapes (Ryan M. Kelly, The Daily Progress/AP file)

How aggressively did journalists pursue the facts?

By Casey Bukro

Rape became big news with allegations against Comedian Bill Cosby and an explosive Rolling Stone story describing a gang rape of a co-ed at a fraternity house on the University of Virginia campus, for which editors later apologized for “discrepancies.”

Both rape stories raised questions about how journalism works in America and whether it can be trusted.

Where were the editors while these stories were being covered? Tough editors ask tough questions, and demand answers from their own reporters about how they got the story and whether it’s supported by hard investigation.

Media are accused of failing to dig into serial rape accusations over decades against Cosby, who was seen as a popular father figure as he was portrayed on his television show.

About 20 women have accused Cosby of drugging them, and often raping them. But he has not answered to what he calls “innuendos.” Some of the accusers have been challenged. Cosby’s most recent comment is that his wife is dealing well with the controversy.

Pushing back, Cosby’s lawyer accuses a reporter of deception, and his wife, Camille, contends the media failed to take a close look at her husband’s accusers.

The Rolling Stone gang rape story by Sabrina Rubin Erdely is based on a single source, a woman identified only as “Jackie,” who claimed she was lured to a 2012 fraternity party by a man named “Drew,” and raped by seven men. The Washington Post described the story.

Good reporting usually involves getting all sides of the story. Erdely admitted that she made a deal with Jackie that no attempt would be made to find and interview anyone else involved in the alleged rape, or knew about it.  And her editors allowed her to get away with a violation of a basic tenet of good reporting – getting multiple sources to verify the accuracy of the story

The editors allowed this unusual dispensation from careful reporting because the story was “sensitive.” Yes, rape is a sensitive issue, but not a reason to suspend professional standards in reporting. Sensitive stories require more careful reporting, not less.

The Society of Professional Journalists code of ethics urges caution in reporting sex crimes.

The story was widely reported and put a spotlight on campus rape. Then came questions about its accuracy. The accused fraternity had no party on the night the rape allegedly happened, and issued a statement saying that sexual assault was not “part of our pledging or initiation process.” It appeared to be fabricated and continues to be called into question from many sources.

Media followed the story as a lesson in journalism and ethics. A defamation suit against Rolling Stone is a possibility.

Rolling Stone’s managing editor, Will Dana, issued a statement:  “In the face of new information, there now appear to be discrepancies in Jackie’s account, and we have come to the conclusion that our trust in her was misplaced.”

Other media noticed the discrepancies. Pittsburgh Post-Gazette Columnist Jack Kelly calls the story “an unforgivable breach of journalism ethics” and thinks the fraternity house should sue Erdely and Rolling Stone for libel.

Rolling Stone editors believed Jackie was credible, according to Leslie Loftis in the Columbia Journalism Review,  because of a bias – a willingness to believe Jackie because “everyone knows that there is an epidemic of rape on campuses around the country….”

It’s what you know, or want to believe, that can set a trap.

The editors at the Washington Post wanted to believe one of their bright and upcoming reporters, Janet Cooke. She wrote “Jimmy’s World,” a story about an 8-year-old heroin addict in a family of addicts. Narcotics addiction was a big issue in 1980.

That story was so good, it won a Pulitzer Prize in 1981.

Then came the questions. A Washington Post editor asked Cooke to get in a car and go with him to identify where Jimmy lived. They drove around and could find no Jimmy. Cooke eventually admitted she invented Jimmy.

Cooke said the Post’s high-pressure newsroom corrupted her judgement. She said she had heard about somebody like Jimmy. She decided to write the story, based on anonymous sources, to satisfy her editors, she said.

The Post’s ombudsman wrote a long critique on the “Jimmy’s World” story, and found that the editors bore heavy responsibility, adding that “everybody who touched this journalistic felony was wrong.”

Good editors are supposed to do the hard work of keeping stories honest.

“Don’t tell me what you think, chum. Tell me what you know!” said a fabled, crusty editor at the former City News Bureau of Chicago, once called the Devils Island of Journalism. He grilled his reporters as vigorously as he expected his reporters to grill their sources.

Cosby: When The Media Watchdogs Bark, Or Not

 

By Casey Bukro

The serial rape allegations against Comedian Bill Cosby have reached the stage where people are asking why the media failed to report them when they happened.

It’s complicated and messy, in part because Cosby denies the allegations and calls them “innuendos” from the distant past which he will not dignify with a response.

The public often blames the media for hounding celebrities, sometimes to the point of ruining their reputations. Other times, the media are accused of promoting popular celebrities to the point of being a cheering section.

Both true.

It could be argued that Cosby got the cheering section treatment for decades. But now that’s changing and causes observers to wonder if media watchdogs failed, professionally and ethically.

Especially troubling are media reports that, in exchange for an exclusive interview, Cosby made a deal with the National Enquirer to delay a story about a new rape accusation while the civil suit in another rape case was going on. That strikes to the heart of media responsibility to report the facts, and whether the media did that in Cosby’s case.

The Columbia Journalism Review  says the press is responsible for ignoring Cosby rape allegations, pointing out that People Magazine published an article in 2006 about five women who accused him of rape.

About 20 women have accused Cosby of assaults, most dating to the 1970s and 1980s.

From a wider perspective, rape is one of those issues where the media tend to reflect societal attitudes, which includes the issue of privacy for both public and private figures. And all of that is changing fast. Media always had a responsibility to lead public opinion, not just follow it.

Not so long ago reporters ignored the private peccadillos of powerful figures in the belief that what they did in private was their business, not the public’s. Their silence was called “a gentleman’s agreement.”

Think President John F. Kennedy and President Dwight D. Eisenhower.

Kennedy was a known cavorter, but the White House press corps ignored it, in part to stay in the president’s good graces.

Rumor had it that Eisenhower had an affair with his war-time chauffeur, Kay Summersby, who confirmed it in 1975 in a memoir titled “Past Forgetting: My Love Affair with Dwight D. Eisenhower,” before she died. The rumors stayed mostly under wraps until the memoir appeared.

But rape is far more complicated. In the past, police departments sometimes minimized it as a he said/she said sort of thing. Women were sometimes twice victimized by rape and then accused of bringing it upon themselves. Sometimes they were ashamed to talk about it, especially when alcohol was involved.

It is a topic coming out of the shadows as women are more inclined to talk about it, and the media more inclined to report on it partly as a result of that openness and changing social views. That comes at a time when other sensitive issues, such as gay rights and abortion, are discussed more openly.

The Cosby accusations  stretch over decades, enough time to show how differently the issue is treated, then and now.

The case against Cosby snowballed recently after supermodel Janice Dickinson publicly accused the entertainer of drugging then raping her in 1982 when she met with him, hoping he would help advance her career. Dickinson is one of about 20 women who tell similar stories, one of whom was 15 years old at the time.

Nostalgia is another time-related thing.

Entertainment is a fantasy, just as Cosby as Cliff Huxtable was a fantasy. But it was a fantasy that the public desperately wanted to believe, wrote Vox.com’s Amanda Taub. They wanted to keep happy childhood memories of the Cosby show.

 

 

 

 

 

 

Is Lack of Attribution Plagiarism?


Fareed Zakaria (Getty photo)

By Casey Bukro

Fareed Zakaria finds himself the target of anonymous bloggers who accuse him of plagiarism.

Zakaria says he is not a plagiarist, but media carrying his columns on international affairs — Newsweek, The Washington Post and Politico — have posted corrections or editor’s notes advising readers that Zakaria had not sufficiently attributed sources for material in some of his columns.

Now take a step back for a minute to ponder how the case underscores differences in the way journalism works now, compared with just a few years ago.

In the past, even a whiff of plagiarism was a firing offense. The hammer came down hard in most cases. Mike Barnicle was fired from the Boston Globe for plagiarism. Jayson Blair was booted from the New York Times for similar offenses, plagiarism and fabrication.

And some editors in the past would dismiss information from anonymous sources as lacking credibility unless identity and motivation were known.

In the Zakaria case, the sources are bloggers known only as BlippoBlappo and CrushingBort who consider themselves plagiarism watchdogs at Our Bad Media. They cited 50 examples of what they considered insufficient attribution in Zakaria’s columns. They describe themselves as two young men who are not journalists.

Zakaria also appears on CNN in a program focusing on international affairs. He is widely respected and seen or read on multiple platforms. And that’s part of the problem, say the anonymous plagiarism sleuths. They say Zakaria is treated with a deference that is not shown to minor league journalists. He continues to write columns for media that attached warnings to some of his past columns.

Maybe that makes what he did correctable or excusable. Another new slant on journalism as it is done today, when the focus is more on finance and new business models. And maybe some editors believe lack of attribution is not plagiarism.

The Columbia Journalism Review points out that “outcry within the journalistic community, meanwhile, has been unexpectedly mute, with many discussions focused on the semantic question of whether Zakaria’s mistakes constitute what some news organizations consider an unforgivable sin.”

Zakaria admitted to a “mistake” in 2012, but said that for the most part he uses information that is generally or widely known.

In tweaking its code of ethics, the Society of Professional Journalists this year added “always attribute” to a long-time admonition to “never plagiarize.”

National Public Radio’s Robert Siegel began a segment on Zakaria by pointing out that The Washington Post was the fifth news organization to say “that work it has published by Zakaria appears to have attribution problems.”

NPR media correspondent David Folkenflik said the anonymous bloggers argue that “he’s done so much lifting unattributed characterizations of other people’s reporting that it amounts to plagiarism.”

Folkenflik went on to say that other critics insist Zakaria “is getting away with stuff that others wouldn’t be allowed to do who are more junior, who don’t have the brand-name recognition that he does…”

Dylan Byers of Politico.Com also outlined the campaign waged by the anonymous “plagiarism detectives,” and reported that Zakaria, in an email to Politico, argued “that he simply cited the same facts as others, which did not constitute plagiarism.”

Others say it’s a troubling pattern.

Writer Lloyd Grove wondered if Zakaria can survive the firestorm.

CNN, however, said it stands by Zakaria.

Take This Job and Shove It

 

Dave McKinney

 Dave McKinney

 

By Casey Bukro

 

Once again, one of Chicago’s top journalists is telling his bosses  to “take this job and shove it.”

The latest example is Dave McKinney, a highly respected  Chicago Sun-Times political reporter and Springfield statehouse bureau chief.

McKinney complained of being “yanked from my beat” and placed on temporary leave after staffers for Bruce Rauner, candidate for Illinois governor in an election that was only weeks away, made accusations against McKinney and his wife “in a last-ditch act of intimidation” trying to kill a story about Rauner.

McKinney pointed out that the Sun-Times editorially endorsed Rauner’s run for governor.

“Readers of the Sun-Times need to be able to trust the paper,” McKinney wrote in his resignation letter. “They need to know a wall exists between owners and the newsroom to preserve the integrity of what is published. A breach in that wall exists at the Sun-Times.”

Journalists were quick to come to McKinney’s defense.

The Chicago Headline Club, with a membership of about 500 journalists, said it was “shocked and disappointed” at McKinney’s treatment, and called it “a sad day in the history of the Sun-Times and Chicago journalism.”  The news spread fast.

In response, Jim Kirk, Sun-Times publisher and editor-in-chief, called McKinney “among the best in our profession,” but his leave was intended to “ensure there were no conflicts of interest……” Kirk denied that the newspaper’s ownership and management had any role in the matter. He took responsibility for the decisions.

Chicago tends to take its journalism, and sometimes its journalists, seriously.

The last time such an open conflict over news ethics erupted was in 1997, when Carol Marin and Ron Magers quit as evening co-anchors at WMAQ-TV Channel 5 over management’s decision to hire trash talk host Jerry Springer as a commentator on their news broadcast. Springer was known for hosting a show that featured raucous domestic disputes.

Marin and Magers considered Springer’s role on their broadcast “an affront to their credibility and integrity.”

On the day she quit, Marin had a story in the Chicago Sun-Times, where she is a political writer, with the headline: “Credibility, Thy Name Isn’t Springer.”

The decision to hire Springer turned out disastrous for WMAQ-TV. Not only did it lose two admired co-anchors, its 10 p.m. newscast ratings plunged 13 percent.

Robert Feder, a media columnist for the Sun-Times at the time, wrote that Channel 5 executives admitted that hiring Springer was a mistake after losing the anchors and “sending thousands of viewers fleeing in disgust.”

Springer also quit WMAQ after only two nights on the air, saying “it’s gotten too personal.”

Television viewers often form bonds with TV personalities, who are usually attractive and friendly. It’s as though those people on TV are personal friends, sometimes.

Those kinds of bonds seldom form with the largely invisible newspaper writers and reporters, who sometimes describe themselves as “ink-stained wretches.”

In this multi-media world, McKinney did appear on television via Skype broadcasts, reporting on political developments in Springfield. But it’s unlikely that readers will flee from the Sun-Times over the McKinney affair, as viewers fled WMAQ over the resignations of Marin and Magers.

In one of those strange twists, Carol Marin collaborated with McKinney on the Rauner investigation. Marin responded, saying the Rauner investigation was fair and accurate, although a “scorched earth” philosophy is not unusual in a political campaign.

“And so the Rauner team went over our heads to our bosses at NBC5 and the Sun-Times….” with untrue accusations, she wrote.

Hardball is the way the game is played in Chicago in both cases. But the basic issues are the same: Ethics, credibility and integrity.